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The "Korean Turn” in Philippine Popular Culture: The Story So Far

  • SUVANNABHUMI
  • Abbr : SVN
  • 2024, 16(1), pp.15~38
  • DOI : 10.22801/svn.2024.16.1.15
  • Publisher : Korea Institute for ASEAN Studies
  • Research Area : Social Science > Area Studies > Southeast Asia
  • Received : June 5, 2023
  • Accepted : January 10, 2024
  • Published : January 31, 2024

Louie Jon A. Sánchez 1

1University of the Philippines, Diliman

Accredited

ABSTRACT

In this paper, I will pursue initial ideas I formulated in 2012 about the permeation of Korean influences in Philippine popular culture, particularly in the production of serialized TV drama/soap operas or the “teleserye” [tele for television + “serye” or series; thus, TV drama series]. I called the phenomenon the “Korean Turn” as I observed the emulation of Korean televisual drama (nowadays called K-Drama) modes and practices by local production through various means of cultural appropriation. This time, I will expand my exploration to other aspects of Philippine entertainment and other cultural practices. I will also update my observations on the continuing “Korean turn” in the teleserye. I will argue, on the one hand, about the success and soft power of hallyu or the “Korean wave” in the Philippines; and on the other, about Philippine culture's enduring ingenuity in its reception and repurposing of hallyu. Ideas to be yielded here will form part of a potential framework in understanding the dynamics of the interface between Korean and Philippine cultures, in the context of globalization. I assert that popular culture remains to be an undervalued field of inquiry, as far as these contexts are concerned.

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