2018, Vol., No.42

A Study on the Four Syllables Idioms Related to Body in Chinese

Seongjun Hyun | 2018, (42) | pp.1~26 | number of Cited : 3

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Analysis of the Types and Implications of the 『LAOZI』 Opposition Structure

LEE SO DONG | 2018, (42) | pp.27~54 | number of Cited : 2

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A Study on the Korean’s Perception of Chinese Initial Consonant - Related with Consonants Categorization

LEE SUN HEE | 2018, (42) | pp.55~74 | number of Cited : 2

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The Historic Déjà vu and Literary Figuration of the South Dynasty in the Xin Qiji’s Ci

SUNG SEO | 2018, (42) | pp.75~98 | number of Cited : 0

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Xin Qiji is a warrior-writer of historical consciousness, thinking that Central Plains’s recovery is a national task that gives priority to anything and is his ideal. Due to the reality of South-North confrontation, he frequently visualized the situation of the Southern Song Dynasty in relation to the historically most similar the Southern Dynasties, in his works, in a number of ways. In his career, he experienced the history of the North-South and metaphors the reality of the Southern Song Dynasty in the context of the Southern Dynasties of history and geography, and in particular among the historical figures of himself the person of the Southern Dynasties. The history of the South Dynasty has always been an object to be wary of as a teacher to him as opposed to history. The history of such Southern Dynasties was replayed again at the Southern Song Dynasty, but the fear could not delay him alertness in reality, and it is a work that reflects this and is constantly deceiving from various angles It was shaped into a sense. Among the historical figures, not only the teacher, but also the front teacher, Tao Yuanming, in particular, transformed from an irresponsible the hermit to an increasingly patriotic patriot. It was his high sense of mission and sense of responsibility that Xin Qiji reminiscent of the history of the South Dynasty in the form of the Southern Song Dynasty. Of course, I did not recognize the Southern Dynasties in his historical awareness, especially I recognized the Southern Dynasties remarkably, I imagined in each direction, the history situation and the geographical environment are best with the Southern Song Dynasty Because it was similar. As you can see, Xin Qiji, the historical consciousness trying to restore the practice in the era when the South and the North confronted, the geographical features of the Southern Song Dynasty, the recall on historic ruins, the popular heroic person such as the Southern Song Dynasty I recognized that it was in the same state as the Southern Dynasties. From the situation of the Southern Song Dynasty the Eastern Jin Dynasty gave the historic Déjàvu a strong feel, urging the Southern Song Dynasty to do its best to not reproduce the history of the defense like the Southern Dynasties. These historic Déjàvu and historical recognition became the basis of Xin Qiji’s fundamental reality recognition and appeared as being shaped into Haofang Ci. This was one of the reasons why Xin Qiji had a clearer work world than any other poet.

The Mongol Empire and the Mythicization of ‘Mulan’: A Study on the Mongolian Cultural Hybridity Reflected in the Mulan’s Epitaph of Yuan Dynasty

Youngsuk Lee | 2018, (42) | pp.99~126 | number of Cited : 2

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This study has noticed that the shape of the 「Mulanshi(木蘭詩)」 of the Bei-Wei(北魏) was remarkably reproduced in the Yuan(元) Dynasty as a religious figure, object of objection, and worship, and it was considered necessary to consider it from a socio-cultural perspective. The noticed texts are the two inscriptions of the Yuan(元) Dynasty, 「Hanxiaoyuejiangjunji(漢孝烈將軍記)」(至順3(1332)) written by Da-shian(達世安) and 「Xiaoliejiangjuncixiangbianzhengji(孝烈將軍祠像辨正記)」(元統2(1334)) written by Hou-youzhao(侯有造). In each of the inscriptions, Mulan was worshiped as a ‘goddess’ like Nuwa that is said to have made human or revered as a sacred image of ‘virtuous woman’. This study is worth because the form of ‘female divinity’ and ‘a chaste lady’ of the two inscriptions are an important mechanism that can simultaneously reflect the religious viewpoint and the gender view of the Yuan(元) Dynasty. This study refers to the existing Mongolian documents such as 『Secret history of the Mongolian(蒙古秘史)』, 『Jangar』, 『Geser』, the Mongolian heroic Epics, and related works on Mongolian folklore and tradition, discusses the form from the viewpoint of ‘religious culture’, ‘gender notion’ and ‘cultural phenomenon’. First, the ‘goddess’ Mulan shows that the beliefs and shamanistic traditions of the Mongolian tribe are changing to conform to the national system of the Yuan(元) Empire. This is an interesting change that illustrates the process by which the characteristics of races are absorbed into the imperial system. Second, ‘a chaste lady’ can be understood as a dualistic gender phenomenon in which the different value system of nomadic and Confucianism, which are represented by martialism and fidelity. Third, the formation of the ‘Mulan culture’ can be regarded as the early stage of the cultural contents cultivated by the characteristics of place and genre, such as shrines and inscriptions. The examination of the process from two Mongolian Yuan(元) Dynasty inscriptions to the value of the ‘goddess’, the ‘a chaste lady’, and the ‘cultural products’, the work that can see how the literature and culture affects society’s group, values and policy to be. Literature can be confirmed through the various images of two inscriptions that it is the organic existence of the times and breathing and creates new value through open ending and changes.

A Study on the Meaning of Change about the Story of DengXiaoping in the Chinese Centural TV Program after 2000s

Lee,ByoungMin | 2018, (42) | pp.127~150 | number of Cited : 1

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The producer of Documentary 『Deng Xiaoping』 can utilize his archives of many interviews, screens of materials and documents and those materials are being a good report of his whole life as a political leader. Though they are attempting humane approach, because that the documentary is proceeded with explanations of narration on his works and the recollections about his achievements, which are remembered by the interviewee, most of them, regardless of their rank, are the people who had the relations with him in the past works, it gives us somewhat sturdy feelings as we are seeing news on Deng Xiaoping. On the other hand, 『Deng Xiaoping of 100years』 has collected not only appreciations and recollections on Deng Xiaoping as a politician from the diplomats, officers, reporters, college students, publishers, but remembered him introducing humane episodes in his everyday life experienced by his family, family members of neighbor leaders, cooks, crews, nurses of his private train, house manager, barber, etc. 『Deng Xiaoping in historical turn』 naturally made a display of Xi Zhongxun, the father of Xi Jinping as one of the important people who had leaded the reform in the years of Deng Xiaoping with him and it looks an association of ideas that Xi Jinping is the very people to carry on his family line and expand China’s reform and opening up. Those documentaries could be understood as a way of cultural politics through media to acquire the support of people and the future rule and policy strongly embossing Deng Xiaoping’s affirmative side, to remind communist achievements through reform and opening up, Aside from his put down of 6.4 Tiananmen riot, Deng Xiaopingas a Chinese leader advocating ‘socialism’, could not escape from the critics that he made a reform assuming regional inequality, especially social unfairness such as farmers registration followed by duality of agriculture and urban community. None the less, the reality that the Chinese Communist attached only to beautifying and utilizing him for activating culture politics breed a matter of concern that it is a circumstantial evidence that they are lack of will to solve the difficulties left with the Chinese society by deep reflection and analysis.

Anxiety and Relief of China’s Middle Class as Viewed through A Bite of China

Kwon, Dokyung | 2018, (42) | pp.151~170 | number of Cited : 1

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The Cultural Connotation and Memory Extension of Movie Sound - Take Wang Xiaoshuai’s Three Line Trilogy： Crimson Red, I 11 and Intruder as Examples

Li, Wen-Fu , Cao， Jun-Bing | 2018, (42) | pp.171~188 | number of Cited : 0

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The Reproduction of Text and Relative Problems about ACGN Fandom in the Context of New Media

Qi, Wei | 2018, (42) | pp.189~204 | number of Cited : 0

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The Marriage View of Contemporary Chinese under the Interpretation of Marriage Law (3)

Jang, Ting-Ting | 2018, (42) | pp.205~222 | number of Cited : 0

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The status quo of marriage tends to reflect the culture and value of a society. Marriage Law, as the restriction and guarantee of the marriage often reflects the mainstream culture and value of the society in which the marriage is constituted. Based on the analysis of the dispute clause of the Marriage Law of China, established and put into effect in 2011, the article analyzes contentious clauses of Judicial Interpretation of Marriage Law(3) in combination with its practice. The article mainly concentrates on the problem of the division of property and reproductive rights. The Judicial Interpretation of Marriage Law (3) follows the principle of property belonging to the Property Law and emphasizes equality between men and women. Women have been given greater options and autonomy in terms of reproductive rights. This paper looks to analyze the concepts behind the dispute, with high emphasis, in regards concerning the specific aspects of social culture and looks to explore the attitude of Chinese people to recent legal modifications therein. Furthermore, it looks to concrete on the reflection and influence of the legal modification on the Chinese people’s concept overall concept of marriage in both a modern as well as historical sense. The Chinese people believe that equal and independent relationship between men and women is the premise of establishing a working marriage relationship, which can also manifest the essence of the marital relationship. The marriage House property is no longer a material guarantee for taking risks in the marriage. Marriage tends to be free, and people’s attitude towards marriage of tends to be faint. The old conception of fertility under the influence of Confucianism has greatly changed over time. In order to maintain the independent economic and social status, the decision of the Chinese female with regards to reproductive choice has become more greatly strengthened than perhaps any other time in the countries long history. Child rearing and the establishment of the family has long been an accelerator for promoting（harmonious） the development of marital relationships, which it can be argued has propelled society forward and yet is not essential for all relationships. In this regard, the interpretation of the Judicial Interpretation of Marriage Law(3) shows that the country level encourages women to be on an equal footing with their male counterparts when entering into the union of marriage. The specific provisions of China Marriage Law reflect growing respect for and protection of women’s rights and interests.

Narrative and Telling: The Expression of Taiwan Construction Site Writing

Ya Wen He | 2018, (42) | pp.223~250 | number of Cited : 0

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2018, Vol., No.42