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@article{ART002408109},
author={Li, Wen-Fu and Cao， Jun-Bing},
title={The Cultural Connotation and Memory Extension of Movie Sound - Take Wang Xiaoshuai’s Three Line Trilogy： Crimson Red, I 11 and Intruder as Examples},
journal={The Journal of Chinese Cultural Studies },
issn={1598-8503},
year={2018},
number={42},
pages={171-188},
doi={10.18212/cccs.2018..42.008}

TY - JOUR
AU - Li, Wen-Fu
AU - Cao， Jun-Bing
TI - The Cultural Connotation and Memory Extension of Movie Sound - Take Wang Xiaoshuai’s Three Line Trilogy： Crimson Red, I 11 and Intruder as Examples
JO - The Journal of Chinese Cultural Studies
PY - 2018
VL - null
IS - 42
PB - The Society For Chinese Cultural Studies
SP - 171
EP - 188
SN - 1598-8503
AB - For a long time, sound as a dimension of film art has been concerned and studied, focusing on the selection and combination of sound elements in the film, the relationship between sound and painting, aesthetic tendencies and artistic effects etc. The rise of the study of auditory culture promotes the study of sound in movies to have a new orientation and possibility, and because of the intentional emphasis on sound elements and cultural infiltration in many movies, auditory image has a different meaning, and then presents a more novel and unique role of cultural implication and memory extension than visual image. Wang Xiaoshuai’s Three Line Trilogy：Crimson Red (2005), I 11 (2012) and Intruder (2014), trying to evoke some sort of painful collective memory with the pain of individual life, and trying to reveal some kind of historical role that the ethnic group should have by refining the sound image, and further making the film a far-reaching but particularly true historical echo. Consciously using sound image make “Three Line Trilogy” to be a meaningful auditory landscape; The film also establishes the identity and spiritual background of the “three-line people” with special historical and cultural connotations; The Three Line Trilogy expresses the complex homesick feelings of “third-line people”, and considers the possible redemption of this group. To a certain extent, it forms an in-depth narrative about memory and reflection.
KW - Movie sound;Culture;Memory;Three Line Trilogy
DO - 10.18212/cccs.2018..42.008
ER -

Li, Wen-Fu and Cao， Jun-Bing. (2018). The Cultural Connotation and Memory Extension of Movie Sound - Take Wang Xiaoshuai’s Three Line Trilogy： Crimson Red, I 11 and Intruder as Examples. The Journal of Chinese Cultural Studies , 42, 171-188.

Li, Wen-Fu and Cao， Jun-Bing. 2018, "The Cultural Connotation and Memory Extension of Movie Sound - Take Wang Xiaoshuai’s Three Line Trilogy： Crimson Red, I 11 and Intruder as Examples", The Journal of Chinese Cultural Studies , no.42, pp.171-188. Available from: doi:10.18212/cccs.2018..42.008

Li, Wen-Fu, Cao， Jun-Bing "The Cultural Connotation and Memory Extension of Movie Sound - Take Wang Xiaoshuai’s Three Line Trilogy： Crimson Red, I 11 and Intruder as Examples" The Journal of Chinese Cultural Studies 42 pp.171-188 (2018) : 171.

Li, Wen-Fu, Cao， Jun-Bing. The Cultural Connotation and Memory Extension of Movie Sound - Take Wang Xiaoshuai’s Three Line Trilogy： Crimson Red, I 11 and Intruder as Examples. 2018; 42 : 171-188. Available from: doi:10.18212/cccs.2018..42.008

Li, Wen-Fu and Cao， Jun-Bing. "The Cultural Connotation and Memory Extension of Movie Sound - Take Wang Xiaoshuai’s Three Line Trilogy： Crimson Red, I 11 and Intruder as Examples" The Journal of Chinese Cultural Studies no.42(2018) : 171-188.doi: 10.18212/cccs.2018..42.008

Li, Wen-Fu; Cao， Jun-Bing. The Cultural Connotation and Memory Extension of Movie Sound - Take Wang Xiaoshuai’s Three Line Trilogy： Crimson Red, I 11 and Intruder as Examples. The Journal of Chinese Cultural Studies , 42, 171-188. doi: 10.18212/cccs.2018..42.008

Li, Wen-Fu; Cao， Jun-Bing. The Cultural Connotation and Memory Extension of Movie Sound - Take Wang Xiaoshuai’s Three Line Trilogy： Crimson Red, I 11 and Intruder as Examples. The Journal of Chinese Cultural Studies . 2018; 42 171-188. doi: 10.18212/cccs.2018..42.008

Li, Wen-Fu, Cao， Jun-Bing. The Cultural Connotation and Memory Extension of Movie Sound - Take Wang Xiaoshuai’s Three Line Trilogy： Crimson Red, I 11 and Intruder as Examples. 2018; 42 : 171-188. Available from: doi:10.18212/cccs.2018..42.008

Li, Wen-Fu and Cao， Jun-Bing. "The Cultural Connotation and Memory Extension of Movie Sound - Take Wang Xiaoshuai’s Three Line Trilogy： Crimson Red, I 11 and Intruder as Examples" The Journal of Chinese Cultural Studies no.42(2018) : 171-188.doi: 10.18212/cccs.2018..42.008