2019, Vol., No.45

Study Of the Su Shi’s Ren(仁) and Compassion(慈悲) Thought Convergence and the Practice

YOO,JIWON | 2019, (45) | pp.1~22 | number of Cited : 1

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This study tried the interdisciplinary blended approach among the literary world, the religion, the thought, and the education of Su Shi (蘇軾, 1036-1101) - the great writer of the Song Dynasty. The purpose of this study is establishing Su Shi's public values toward the Ren thought and the Compassion thought - the virtues of humanistic education - from a complementary standpoint and analyzing the source and the practice aspects of the two thoughts. Su Shi lived a tough life while experiencing mental and realistic sufferings as the politically underprivileged person due to party strifes. However, even staying in a limited boundary during exile, he always thought of the people first and actively tried to share pain and joy with them. The root of his thought of loving people is different from the literary people of the ordinary political noblemen. The main points of the ideology by Su Shi are difficult to understand since it ranges over the entire three ideologies - Confucianism (儒), Buddhism (佛), and Taoism (道). The studies which have been carried out so far have fragmentarily looked into his individual ideology or put focus on Confucian ideology even it was a blended study. Su Shi overcame life's hardships through Zen (禪) and mastered the meaning of blending. 'Blending' is combining after melting. This study understood the ideological characteristics of Su Shi, comparatively examined his Selflessness (仁) and Mercy (慈悲) Ideology, and looked into cases of practicing blending ideology. This study established the boundary and relationship of selflessness (仁) and compassion (慈悲) and this study was conducted by focusing on flexibly combining blended relief projects by Su Shi with the political and social circumstances of the time based on the finalized meaning of selflessness (仁) and mercy (慈悲). This study will expand the research boundary of Su Shi (蘇軾) and open a new horizon in exploring blended humanitarian ideology of selflessness (仁) and compassion (慈悲) based on interdisciplinary connection. In addition, this study can be utilized as an exemplary educational material in the aspect of 'respect and consideration', which are essential in the community consciousness of we live together during personality education associated activities.

A Study on the Popularization of ‘gang Tai-feng's Music in the New Chinese Period

CHOI MYUNG SOOK | 2019, (45) | pp.23~48 | number of Cited : 1

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A Reviewing Study of Taiwanese Modernist Poetry Movement and its Achievement

Woo Kwang Jung | 2019, (45) | pp.49~74 | number of Cited : 2

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In the study of Taiwanese Modernist Poetry Movement from the early 1950s to the mid-1970s, many literary critics have agreed that Taiwanese Modernist poets have their various thoughts on poetics and are brought into a poem full of experimental image and metaphor, with sandwiching in between Chinese traditional culture and Western Modernist literature. The purpose of this study is to illustrate the aesthetic characteristics of Taiwanese Modernist poetry, especially focusing on such binaries as “tradition and modernity,” “Chineseness and the West,” “vertical inheritance 縱的繼承 and horizontal transplantation 橫的移植.” This study contains four parts, together with introduction and conclusion. Part Two explores three poetry schools such as “Modern Poetry 現代詩,” “Blue Star 藍星,” “Genesis 創世記” and analyses their four rounds of debates on questions such as What is good poetry? Where is new poetry going? Should poetry be easily understandable or not? What is the poetry’s relationship with society? and What is the poetic balance between Chinese cultural tradition and Western Modernism literature? The debates began in the 1950s and went through the 1960s and early 1970s. Part Three examines each individual poet of Taiwanese Modernist Poetry Movement and revaluates his or her distinctive aesthetic qualities within representative poem. The poetics and the style of every Taiwan’s modern poet are different, This appears in such poems as Yu Guangzhong‘s 余光中(1928-2017) “Lamenting for Keats-A Eulogy Commemorating the One Hundred and Thirty-Second Anniversary of Keats’s Death 吊濟慈—濟慈逝世百卅二年紀念,” Lin Ling’s 林泠(1938- ) “Tree-Shaded Path 林蔭道,” Ji Xian’s 纪弦(1913-2013) “Solitary Wolf 狼之獨步,” Ya Xian’s 瘂弦(1932- ) “Songlike Andante 如歌的行板..” Part Four concludes that Taiwanese Modernist Poets opens new direction to realize their potential between the trend of Westernization and the awakening of national consciousness, with citing Yang Mu’s 楊牧(1940- ) “Your Feeling 你的心情.”

Reconstruction of Urban Space and Memories, and Politics of Images In Shanghai: Focused on the Contemporary TV Dramas Dwelling Narrowness, The Disguiser, Ode To Joy

Ko Yoonsil | 2019, (45) | pp.75~96 | number of Cited : 1

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This study attempts to examine the cultural system which entirely organizes Chinese life worlds and changes of the contemporary Chinese society, by analyzing the main ideologies appearing through the design of urban structures and spaces and the action of images as practical discourses for it. It recognizes the 'culture' for problems in the contemporary Chinese society as a meaning system, reflects the Raymond Williams's cultural research perspective arguing that multilateral reading is possible and begins with active interest in problems and phenomena in the contemporary Chinese society. This study has an implication, in that it attempts to enhance the potential of new humanities through the negotiation and dialogue with literature and sociology, and it also extends the width of studies and seeks for qualitative improvement. This study aims to examine the mechanism of cultural production in the contemporary Chinese society. It intends to analyze institutions and policies for organizing the urban landscape in Shanghai and consider the political action of images as practical discourses. Here, the urban landscape is the representation of main ideologies and the political action of images involves all of visual practice and contents, for propagation and reinforcement of policies based on main ideologies: all kinds of posters, slogans and cultural events. They reorganize the memory of a specific period and space in Shanghai, a capitalist city into symbolic images in the space of socialist revolution and continuously reinforce it. This study considers the mechanism in which politics integrates culture via capital, by examining such reorganization and reinforcement. In addition, it attempts to understand the contemporary mechanism of cultural production, by deeply considering Chinese lifestyles and changes in their psychological structures, in terms of politics, economics and culture.

A Study on the Numeral-Classifier structure in the 『Mengzi(孟子)』 of the Ancient Chinese

Kim JinHo , Seongjun Hyun | 2019, (45) | pp.97~112 | number of Cited : 2

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A Study on the Aspect of Terms of Address in 『Dream of the Red Chamber』 by Cao Xueqin

Yoon Ae Kyoung | 2019, (45) | pp.113~138 | number of Cited : 0

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Biased Interpretation and Response Patterns of Mandarin ‘MA(嗎)’ Polar Question

Jeong-Hyun Lim | 2019, (45) | pp.139~164 | number of Cited : 0

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A case study on the conceptual blending theory seen in Chinese brand naming and advertisement

Lee Hyunjin | 2019, (45) | pp.165~184 | number of Cited : 0

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A Study on the Correlation between Traditional Chinese Characters and Simplified Chinese Characters in Korea- Focusing on Chinese Learners of University Students

Hwang, Shin-Ae , KIm Ji Young | 2019, (45) | pp.185~209 | number of Cited : 0

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South Korea and China are countries belonging to the East Asian Chinese character culture, and the two countries' text and language are closely related geographically and historically. The two countries based on Chinese character culture have developed literature and art through their own language, culture and literature records for thousands of years, using a common medium called Chinese Characters. The two countries have used the same Chinese Characters in Chinese character culture for many years, but the Chinese Characters used in both countries are different in their forms. Currently, traditional shaped Chinese Characters is used in Korea based on the shape of Kang Hee Jajeon, while in China, The simplified Chinese Characters is used. This study surveyed learners' perceptions and realities about the learning relationship between traditional Chinese characters and simplified characters. In order to examine the existence and degree of correlation between traditional Chinese character and simplified character learning, we conducted the study in two aspects. One is to look at learners' perceptions of traditional Chinese characters and simplified learning correlations through a survey response method for students currently learning Chinese at universities, and the other is to use specific survey responses to identify simplified characters that match traditional Chinese characters to examine the correct rate of selection by learning level and to see if the results of the respondents' recognition survey actually match the learner's selection results. Through this research, we checked the status of university students' perception of the correlation between traditional Chinese characters and simplified Chinese characters, and also looked at the status of learners' study about simplified Chinese characters, based on the degree of Chinese characters acquisition and Chinese language acquisition.

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Journal Central

The Journal of Chinese Cultural Studies 2023 KCI Impact Factor : 0.44

2019, Vol., No.45