@article{ART002380563},
author={CHOI MYUNG SOOK},
title={A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi},
journal={The Journal of Chinese Cultural Studies },
issn={1598-8503},
year={2018},
number={41},
pages={513-533},
doi={10.18212/cccs.2018..41.021}
TY - JOUR
AU - CHOI MYUNG SOOK
TI - A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi
JO - The Journal of Chinese Cultural Studies
PY - 2018
VL - null
IS - 41
PB - The Society For Chinese Cultural Studies
SP - 513
EP - 533
SN - 1598-8503
AB - After the Cultural Revolution, popular music from Hong Kong and Taiwan was introduced to the mainland through various media outlets and developed with an absolute impact on the industrialization, diversification, and commodification of native music. Moreover, with the introduction of a market economy and a political upheaval, the creation of music by mainland China, which had been suppressed for a long time, resumed again, bringing about new developments in the way music was created and the quality of music.
In this issue, we will study the first generation composer, the people’s musician, and the singer of the time. Since the opening of the reform, it can be said that shiguangnan’s creative music has represented the achievements of the continental lyricism of the early New Year and the trend of the times. Most of his songs have the simple and intimate characteristics of private houses because they have been artistically processed by finding and applying the visitors of rich and beautiful minorities from various parts of China.
In this study, the musical creation of shi-guangnan focuses on the musical characteristics of the “Minjufeng”, the most important phenomenon of Chinese culture, and on the folk music of Chinese minority Uighur people. It will also focus on looking at lyricism, which was popular in the mainland during the new era, and the phenomenon of nationalism in early days of pop music.
KW - new period;national style;uyghur;lyrical song;popularization
DO - 10.18212/cccs.2018..41.021
ER -
CHOI MYUNG SOOK. (2018). A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi. The Journal of Chinese Cultural Studies , 41, 513-533.
CHOI MYUNG SOOK. 2018, "A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi", The Journal of Chinese Cultural Studies , no.41, pp.513-533. Available from: doi:10.18212/cccs.2018..41.021
CHOI MYUNG SOOK "A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi" The Journal of Chinese Cultural Studies 41 pp.513-533 (2018) : 513.
CHOI MYUNG SOOK. A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi. 2018; 41 : 513-533. Available from: doi:10.18212/cccs.2018..41.021
CHOI MYUNG SOOK. "A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi" The Journal of Chinese Cultural Studies no.41(2018) : 513-533.doi: 10.18212/cccs.2018..41.021
CHOI MYUNG SOOK. A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi. The Journal of Chinese Cultural Studies , 41, 513-533. doi: 10.18212/cccs.2018..41.021
CHOI MYUNG SOOK. A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi. The Journal of Chinese Cultural Studies . 2018; 41 513-533. doi: 10.18212/cccs.2018..41.021
CHOI MYUNG SOOK. A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi. 2018; 41 : 513-533. Available from: doi:10.18212/cccs.2018..41.021
CHOI MYUNG SOOK. "A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi" The Journal of Chinese Cultural Studies no.41(2018) : 513-533.doi: 10.18212/cccs.2018..41.021
