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2021, Vol.27, No.1

Japanese Settlers’ Film Culture in Keijo(京城) as seen through Film ephemera printed in the 1920s and 1930s
Hwajin Lee | 2021, 27(1) | pp.13~51 | number of Cited : 2
Hollywood in Print—Movie Programmes of a Korean Theater in Ethnically Segregated Kyǒngsǒng in the 1920s and the Reception of Hollywood Prestige Pictures
AHN SEJUNG | 2021, 27(1) | pp.53~98 | number of Cited : 0
Between Text and Image, The Audience and Film—The Weekly Newsletters and Leaflets of Dansungsa as Media (1926-1937)
NAM KIWOONG | 2021, 27(1) | pp.99~130 | number of Cited : 0
Agent “M”—The Apparatus of “Hate” and Human or Non-Human Beings as Living Dead
Doohyun Kwon | 2021, 27(1) | pp.133~185 | number of Cited : 2
International Song Festivals and Musicians’ Sense of the World—Inter-Asian Perspective and Eurasian Imagination in the Study of Korean Popular Song during the Cold War
Kim Sunghee | 2021, 27(1) | pp.187~225 | number of Cited : 0
A study on the ludonarrative dissonance of AAA-level games, examined through <The Last of Us part Ⅱ>
Park, In-Seong | 2021, 27(1) | pp.227~265 | number of Cited : 3
Synesthetic Aesthetics in the Narrative, Painting and Music in the Film The Age of Innocence
Sa-Bin Shin | 2021, 27(1) | pp.265~299 | number of Cited : 0
Romanticism of Brotherhood, Affect of 1987—A Better Tomorrow and Hong Kong-Korea Connection
Youngjae Yi | 2021, 27(1) | pp.301~338 | number of Cited : 2
Reading “Ce que l’image nous dit”, between Academia and its Interpretation
Kim Hangyul | 2021, 27(1) | pp.341~357 | number of Cited : 1