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Study on Modern Reproduction of Pansory

  • Korean Language & Literature
  • 2012, (81), pp.193-222
  • Publisher : Korean Language & Literature
  • Research Area : Humanities > Korean Language and Literature

Baek, Eun-chul 1

1전북대학교

Accredited

ABSTRACT

Pansori is generally defined a genre of Korean traditional performance which is a vocal and percussional music performed by one changja(a singer), singing stories consisted of certain alternation of aniris and changs with a folding fan held in one hand, and one gosu(a drummer), giving rhythm and beats. Past studies on pansori was conducted based on this definition. Not only studies on the early stage of an editorial but researches on music or play have been continued on this understanding. However, this paper points out that pansori in terms of ‘cultural formation' is reflected by certain power, desire proposed ‘the specific means or expressions of life' from a cultural standpoint besides it cannot help but be reproduced by these power, desire. Furthermore this paper examines how pansori was being reproduced during Japanese colonial space where the conflict among the power, desire were become increasingly acute. This is believed that pansori was reproduced in the colonial space that the primary agents of power descibed as strife between feudal society of the Joseon Dynasty and indigenous capital and colonial government and Japanese capital lead to a modern course of agencement. The modern course of agencement led by four primary agents, pansori is commercialized and female changjas show up over all. In this aspect as well pansori has an inclination of the nationalism.

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