2012, Vol., No.81

Lexical History of Mudan's Homophone in Sino-korean

KIM RYANGJIN | 2012, (81) | pp.5~30 | number of Cited : 4

A Correlative Study on Addressing Suffix‘-nim’ and Bound Noun ‘nim’

Yang Young Hee | 2012, (81) | pp.31~53 | number of Cited : 7

A Report of 「KORYOSAJISA」－About of Palatalization on the Korean Materials Written in Kana－

Lee, Eun-joo | 2012, (81) | pp.55~83 | number of Cited : 0

This study is examined to a series of palatalizational aspect from the Korean language materials written in Kana as known the formation time in the late 1600s. The result is following this；At first, this is related to the assumption of sound value on ‘ㅈ’. ∙Except i, j vowels with ‘ㅈ’ are correspond to Japanese ‘サ(sa)’ row and voiced sound itself. It is assumed that ‘ㅈ’ sound would have pronounced to [ts, dz] of Korean in 16 century. At that time there was no corresponding to a plosive-ficative in Japanese. So it was represented fricative same location of articulation instead of plosive-fricative ∙There are cases that ㅈ{vowels except i, j} cope with Japanese ‘ツ(tu)’. That is connected with the affricate process of Japanese ‘ツ(tu), チ(ti)’. In marking Korean affricate ‘ㅈ’ as Japanese ‘ツ(tu)’ might mean that Japanese had become a plosive-ficative already. ∙ㅈ{i, j} appear ‘チ(ti)’. It also connected with a affricate in Japanese at the time, such an influence means being palatalized. Then Korean ㅈ{i, j} might be palatalized too. ∙ㄹ→∅/ ㅈ{i, j} appear 'ソ(so)'. In connection with phonology rule and the sound value of , ‘ㄹ’-falling off means that ‘ㅈ’ was [ts] on the level of phonology. In that case ㅈ{i, j} might be〔ts〕though having palatality. Second, searching for needs to consider Japanese palatalization and orthography at the sound-written possibility. In fact Korean palatalization is almost impossible to examine in using the Korean language materials written in Kana. By the way ‘ㄷ-palatalization’ of then time was proved the contrary with hypercorrection ‘방마티’. And through ‘티’ is sound-written to ‘テイ(te-i)’, it could be examined of distinctive possibility on ‘디(티):지(치)’. Subsequently, with grammatical morpheme '-ㅎ디(아)' and '디(아)' being appeared 'タ' and 'チヤ' there has examined those examples of ‘ㄷ-palatalization’. Therefore ‘ㄷpalatalization’ can be examined in condition 'ㅈ[ts]' with palatalized allophone [ʧ]. Third, this meterials is revealed the character of dongnam dialect then whether ‘ㄷ(t),ㅎ(h),ㄱ(k)-palatalization' have or not paid attention. The results indicate that ‘ㅈ’ with palatalized allophone and ‘ㄷ(t), ㅎ(h)- palatalization' are appeard but ‘ㄱ(k)-palatalization' is not.

On the Meaning Change in Contemporary Korean Language：Centering on ‘Adjective’ and ‘Verb’

Cho, Hang-bum | 2012, (81) | pp.85~112 | number of Cited : 11

The Aspect of Variation of Brother and Sister Marriage Folktale in Chinese-Korean’s Folktale, “The Origin of Pak-ka-goo-chon”

강봉근 | 2012, (81) | pp.113~135 | number of Cited : 0

Epic Structure and Orientation Shown in Gwangmun-jeonseung(廣文傳承) of Yeonam(燕巖)

kang Hyeon-Mo | 2012, (81) | pp.137~157 | number of Cited : 3

Characteristics in Genre Analysed through the Motif of ‘Foregoing Integrity’ －A Comparative Study of <King Seongjong's Wit to Save Two Subjects > and <Jibongjeon>－

Kim Miryeong | 2012, (81) | pp.159~191 | number of Cited : 4

This study aims to examine how the motif of forgoing integrity is realized in different genres of ‘narratives' and ‘novels’ and what meaning it creates. For the purpose, the study compared a narrative titled <King Seongjong's Wit to Save Two Subjects> with a novel titled <Jibongjeon> with the motif of forgoing integrity. As a result, three differences in genre between narratives and novels were discovered：First, a difference in delivery method. In the <King Seongjong's Wit to Save Two Subjects>, sentences are short and simple, but vivid and active while in the <Jibongjeon>, sentences are long and lots of comparative expressions are used and a style of writing is refined. Second, a difference in dscription method. <King Seongjong's Wit to Save Two Subjects> depends on narrator's criticism through direct intervention. In such case, scenes are intensively presented and the cause and effect is emphasized to focus on the development of the story. However, in <Jibongjeon>, the method of showing is used through dialogue between characters, specific description of scenes, and Chinese poetry rather than ' telling.' It presents specific scenes to extend the narrative and to make it stable and refined. Third, a difference in composition of the story. In the former, two events of forgoing integrity are closely connected through the case and effect to make a complete story. However, in the latter, two different stories are independently composed and then they are combined through the forgoing integrity told by King Hyojong. Finally, a difference in the method of realizing the motif and in meaning. In <King Seongjong's Wit to Save Two Subjects>, the motif of forgoing integrity is used as a mediating device to highlight the integrity of King Seongjong. However, <Jibongjeon> contains a consciousness of forgoing integrity. In addition, it actively advocates freedom of sex. It is a resistance against strict recognition on sex in the aristocratic world and shows changes in thoughts of the people at that time who affirmed human instinct, which leads us to awareness of sex in the aristocratic world. Thus, the two literary works have similar plots, but different stories. However, as each of them has reception and vitality as a narrative and specificity and elegance as a navel, they are attractive.

Study on Modern Reproduction of Pansory

Baek, Eun-chul | 2012, (81) | pp.193~222 | number of Cited : 3

A Study on Eco-feminism Poetry：Psychological Distance of Personas

Kim Ji Yeon | 2012, (81) | pp.223~248 | number of Cited : 1

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This is a study of the poetic persona and the psychological distance in eco-feminism poetry. In this study, the discussion is focused on the subject of psychological distance shown according to three different narrator viewpoints. They can be summerized as follows:First, in eco-feminism poetry, the subjective persona's attitude toward poetic object is active, and the persona shows active intervention. The persona's distance to the poetic object is short and sometimes the persona is identified with the object. The desire most activately expressed in the subjective persona's voice may express sexual desire, but it also transcends desire toward productivity. In eco-feminism poetry, the subjective persona reveals the active desire of a woman, and beyond. She experiences motherhood. Secondly, the objective persona's attitude to the poetic object is contemplative, and passive intervention is limited. The persona maintains a distance from the object by separating it from herself. The subjective persona mentioned above shows sentimental and sensual images, while the objective persona shows rational images in that she tries to weigh the ecological meaning of the poetic object. Third,ly, the combined persona shows two types of attitudes of the subjective and the objective personas in treating the poetic objects. Therefore, the distance between the two is expressed in the works. In general, the movement proceeds from a greater distance to a shorter distance because the persona follows the process of communing and assimilating with the object through observation and contemplation. The ultimate aim of eco-feminism is 'a harmonious world'. This is expressed in the eco-feminism poetry in the form of communion or assimilation between the persona and natural objects. Therefore, the world of poetry in which humans and nature co-exist in absence of prejudice can be significant.

Seungja's “The Age of Love" Appeared in Poetic Discourse, Study of the Psychopathology

Park Song Yi | 2012, (81) | pp.249~275 | number of Cited : 4

Seungja's poetic discourse, dismissed as merely the voice of the sick, rather than Seungja acquired and understand the world, of the poetic discourse should be. This is simply a poetic discourse, the speaker, who as a therapeutic target, who is getting sick throughout the world and society and further his own party and fought as a sick man is struggling to pay says. Seungja's poetic discourse in poetry and made to classify the primary goal. Thus, the formation of psychotic symptoms that ‘body’ and ‘dreams’ of looking up words and verses as the speaker's linguistic approach to psychopathology was Poetic discourse, the body that can be detected through changes in “body tingling leaf” toward the projected the body “Empty body” would give place unto the body. Almost helpless and passive attitude of the speaker's attitude rather than a bottle for recovery and healing the sick means digging deep. Nevertheless, the speaker spiritual guru ‘heavenly’ “to the body with dust and wash the tears of the blue” to pray Wash off the dust stuck to his body by driving the blue is the origin of the implementation. In other words washed over her desire for salvation can see that it contains. This notion of the body, in the end, the notion of intangible in the body, is dreaming of escape from reality. Dream a reality for the city of Seungja's poetic transition can be seen. Speaker of the morbid vanity and aggression in the form of a dream to tell the nature of the inner impulses and signs are suggestive. The poetic discourse is the way Seungja poet's poetic expression is a form of writing poems. Psychopathology I note speaker in a poetic discourse which, in turn, was to explore the pathology of ‘What’ symptoms Seungja's poetic forced the spirit of the speaker and the ‘why’ so sick, and 'how' that divide the body. Destroyed and that the is unknown. Speaking as a poetic strategy that the Seungja's poetic sick or not sick sick, suggests the significance of the revealed world today is a modern city with a pathological form view. This Seungja's poetic is triggered by an understanding and interest. This paper continues to be discussed after the initial operation hereof as to its significance.

Study about the Preserved Underlying Meanings Which are Re-creatively Written from Contemporary Fairy Tales －Focusing on <Stolen face> and <Suil and Suil>－

SonMinyoung | 2012, (81) | pp.277~301 | number of Cited : 2

Self-realization is a very essential task for every human being that has existed throughout time and space. This study analyzes the differences in subtext that have been presented in a traditional fairy tale and a contemporary fairy tale that is re-creatively written using the plot elements of the former. This analysis allows us to examine the process of self-realization via mind exploration and to establish a model example to which literature should aspire. This study compares two fairy tales：“Stolen face”, a traditional fairy tale that deals with human identity, and “Suil and Suil”, a contemporary fairy tale, which is written re-creatively using plot elements from the former. In result, various differences between these two fairy tales are revealed through assessment of their subtext. First, based on the theory of need hierarchy, the main character’s need hierarchy is vertical in “Stolen face” while it is horizontal in “Suil and Suil.” Second, through the use of analytic psychology perspectives, “Stolen face” is at the level of “shadow” that is created in spite of oneself, whereas “Suil and Suil” is at the level of “persona” that is created intentionally. Why do these differences occur? The social environment in which traditional fairy tales were composed focused heavily on lower order needs, such as survival. Therefore, it was a shadow-level society in which the structure of inner world was the most meaningful. On the other hand, we live in a modern society that emphasizes the need to belong and to be loved, that is, a persona-level society in which communication with the outside world is more important. In conclusion, the diverse processes by which protagonists develop a sense of self-realization can be observed by assessing subtext of fairy tales. Moreover, a model example to which literature should aspire is established. This model involves the thorough reflection of the writer’s view on their present age, while adopting a traditional descriptive function outwardly. This enables us to obtain both the universality that transcends time and the particularity that is meaningful to the age.

The Status of Academic Writing in the College Writing Curriculum

Kim Kyungnam | 2012, (81) | pp.303~329 | number of Cited : 2

A Study on the Aspects of Usage of Speech Acts for Female Marriage-Immigrants

Kim,Seon-Jung , Kang, Hyunja | 2012, (81) | pp.331~361 | number of Cited : 5

The Study on the Process of Summarizing and Methods of Understanding about Texts －focused on the writing class of summarizing and writing comments－

김준희 | 2012, (81) | pp.363~386 | number of Cited : 3

A Study on School-Aged Children's Reading Abilities of Multicultural Families

Lee Hyo In , Yoo, Jae-Yeon | 2012, (81) | pp.387~403 | number of Cited : 8

KJCKorea
Journal Central

Korean Language & Literature 2023 KCI Impact Factor : 0.63

2012, Vol., No.81