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An analysis of the Key Concepts and Movement Principles of the ‘Lee Mae-bang’ Salpuri Dance - Focusing on Expert Evaluation and FGI -

  • The Korean Journal of Dance Studies
  • Abbr : KRSDS
  • 2023, 91(2), pp.103-123
  • DOI : 10.16877/kjds.91.2.202306.103
  • Publisher : The Korean Society for Dance Studies
  • Research Area : Arts and Kinesiology > Dance
  • Received : May 15, 2023
  • Accepted : June 7, 2023
  • Published : June 30, 2023

Joung Eun-pa 1

1세종대학교

Accredited

ABSTRACT

This study is about the movement principle of the Lee Mae-Bang’ in Salpuri dance, which derivesthe core concepts of this dance, and finally, recognizes the movement unit and presents implications inthe field. This study proceeds in the order of literature review, preliminary survey, expert evaluation,and FGI. As a result of the analysis, 12 concepts were derived in order of importance. “Jeongjung-dong”: It uses large and small breaths as a form of movement. “Tae-geuk-seon”: It means a curveand at the same time represents yin and yang. “Yang-woo-seon”: It is a natural movement elementwhen arm movement uses a curve. Other concepts such as “Hwa”, “Bi-jeong-bi-pal”, “Gi-gyeonggyeol-hae”, “Ja-seong”, “Ji-geuk”, “Myo-ri”, “Geu-neul”, “Byeon”, and “Hwieo-jim” are also organizedin the same form. Based on these results, we expect the effect of terminology standardization andeducational use in the field in the future.

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