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Reframing the Term ‘Practical Dance’ - Sensory Practices and Global Artistic Contexts -

  • The Korean Journal of Dance Studies
  • Abbr : KRSDS
  • 2025, 100(3), pp.83~97
  • Publisher : The Korean Society for Dance Studies
  • Research Area : Arts and Kinesiology > Dance
  • Received : July 22, 2025
  • Accepted : September 22, 2025
  • Published : September 30, 2025

Yoo, Gawon 1 Young Mi Kim 1

1경희대학교

Accredited

ABSTRACT

This study examines how the South Korean administrative label “practical dance” organizes sensory practice and genre boundaries, often obscuring artistic potentials. Building on André Lepecki’s notion of contemporaneity, it reframes practical dance as a fluid, context-dependent practice that traverses commercial and artistic circuits and aligns conceptually with global usages such as commercial dance. Using document analysis and three cases—Mourad Merzouki’s Pixel, Sadler’s Wells’ Breakin’ Convention, and the street-dance residency at France’s Centre national de la danse (CND)—the study shows how street- and industry-facing vocabularies merge with contemporary dance aesthetics and platforms. Findings indicate that inclusive naming, curriculum design, and welfare/eligibility policies can mitigate residual hierarchies, acknowledge labor conditions, and better reflect where dance is produced and circulated. The paper proposes a policy and vocabulary shift situating “practical dance” within a wider contemporary ecosystem of media, education, and public institutions.

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