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The Sublime in the Shipwreck Motif of Narrative Ballets - An Inquiry through Edmund Burke’s Aesthetic Theory

  • The Korean Journal of Dance Studies
  • Abbr : KRSDS
  • 2025, 101(4), pp.85~103
  • Publisher : The Korean Society for Dance Studies
  • Research Area : Arts and Kinesiology > Dance
  • Received : October 15, 2025
  • Accepted : November 6, 2025
  • Published : November 30, 2025

Youngjae Roh 1

1신라대학교

Accredited

ABSTRACT

The shipwreck has long served as a powerful symbol that crystallizes the confrontation between humanity and nature and evokes the affect of the sublime. Drawing on Edmund Burke’s theory of the sublime, this study examines how shipwreck scenes in three narrative ballets—「Le Corsaire」, 「The Winter’s Tale」, and 「Shim Chung」—embody different aesthetic dimensions of sublimity. While all three works reveal core attributes such as danger, fear, and power, they diverge into spectacular, narrative, and ritual modes shaped by their distinct cultural contexts. The shipwreck functions not merely as stage spectacle but as an aesthetic space where peril and salvation, finitude and transcendence intersect, transforming fear and awe into artistic experience. Burke’s conception of the sublime provides a framework for reinterpreting classical aesthetics in contemporary performance and for envisioning the shipwreck motif, mediated through dance, as a site of renewed artistic and humanistic reflection.

Citation status

* References for papers published after 2024 are currently being built.

This paper was written with support from the National Research Foundation of Korea.