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2014, Vol.41, No.

The Meaning of Appropriation in Andy Warhol's Artwork : On Arthur Danto's Theory
Jang, Minhan | 2014, 41 | pp.3~29 | number of Cited : 2
Theory of “partial object” in Gilles Deleuze : In Search of its ontological and aesthetical meaning
Jae-Yin KIM | 2014, 41 | pp.31~59 | number of Cited : 6
Biofact: Asymptote on the life
Shin, Seung-Chol | 2014, 41 | pp.61~99 | number of Cited : 2
A study in comparative aesthetics for an investigation into the peculiarities of Korean beauty
Lee Joo Young | 2014, 41 | pp.103~151 | number of Cited : 4
Kierkegaard's Existential Dialectic and Art Media
Young-So Yoo | 2014, 41 | pp.153~183 | number of Cited : 2
The Scientific Revolution and the Music of the Spheres
Jun-Sik Won | 2014, 41 | pp.185~212 | number of Cited : 4
Minor Art: Deleuze’s Aesthetics and Art Brut
HAN EUI JUNG | 2014, 41 | pp.213~238 | number of Cited : 4
Photography and Drawing : From Photography for Drawing to Drawing for Photography
Lee, Phil | 2014, 41 | pp.239~266 | number of Cited : 3
The Discourse Between the Art of Silver and Silversmithing Since World War Ⅱ
Sae-Mi Cho | 2014, 41 | pp.267~305 | number of Cited : 1