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2017, Vol.50, No.

The Trace of the Mind? The Cultural History of Thought Photography
Shin, Seung-Chol | 2017, 50 | pp.3~44 | number of Cited : 0
The Study of Association about Alhazen's Optics Theory and Renaissance Linear Perspective
Yun hee Kang | 2017, 50 | pp.45~72 | number of Cited : 1
Deleuze's Movement-images and Digital Aesthetics
Jeong, Heon | 2017, 50 | pp.73~100 | number of Cited : 3
A Study on Giorgio Agamben's Potentiality and Contemporary Art
Jihye Kim | 2017, 50 | pp.101~136 | number of Cited : 5
The Meaning of ‘Art as the symbolic Form’ in E. Cassirer's Study of Schiller
Jung-Hee Chu | 2017, 50 | pp.137~164 | number of Cited : 3
Study on Artist’s Metamorphosis : in S. Kierkegaard's The Crisis and a Crisis in the Life of an Actress
Young-So Yoo | 2017, 50 | pp.165~196 | number of Cited : 1
Wittgenstein in Conceptual Art: Illuminating the work of Sol LeWitt and Mel Bochner in the 1960s-70s
Jung Eun Young | 2017, 50 | pp.197~238 | number of Cited : 1
Various Aspects of Design through Kant's Critique of the Power of Judgment
금빛내렴 | 2017, 50 | pp.239~274 | number of Cited : 0
Study on the Relation of Bernard Leach's Studio Craft and Korean Ceramics
So-Rim Yoon | 2017, 50 | pp.275~304 | number of Cited : 1