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2018, Vol.55, No.

The Return of the Sewol―What Do the Images Want? : Based on W. J. T. Mitchell's Picture Theory
Jong-Chul Choi | 2018, 55 | pp.3~38 | number of Cited : 1
The Descendants of Veronica : Iconoclasm and Abstract Art
Shin, Seung-Chol | 2018, 55 | pp.39~76 | number of Cited : 1
Aby Warburg and Grisaille Image : A Study on Its Implication and Nowness
Bora Kim | 2018, 55 | pp.77~108 | number of Cited : 3
Logique et esthétique dans l'enseignement et dans le système philosophique de Hegel
Alain Patrick Olivier | 2018, 55 | pp.111~135 | number of Cited : 0
Gottfried Semper's ‘Ideal Museum’ : Criticism on the Great Exhibition in 1851 as a Blue Print for the South Kensington Museum
Sae-Mi Cho | 2018, 55 | pp.137~171 | number of Cited : 2
Pensive Image : Rancière’s Theory on the Knot between Art and Aesthetic Experience
Hwang Dae Won | 2018, 55 | pp.173~199 | number of Cited : 3
The Visual Perception and Image research in F. Kittler's Digital Media theory
Choi so young | 2018, 55 | pp.201~230 | number of Cited : 2
Immediacy and mediacy of bodily experience in performance art : on the interpretation of Marina Abramovic
CHO SEON RYEONG | 2018, 55 | pp.231~258 | number of Cited : 4
Decentralized/Multi-Centered Ecological Art Movement of ‘Nature Art’: Focusing on YATOO-i and Global Nomadic Art Project
KIM, Sung-Ho | 2018, 55 | pp.259~311 | number of Cited : 5