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2022, Vol.66, No.

Walter Benjamin’s Political Philosophy: Focusing on the Concepts of Language, Subject, Truth, and Technology
Sun Kyu Ha | 2022, 66 | pp.6~40 | number of Cited : 0
Ritual, Representation, and Noise: On Attali’s Political Economy of Music
Yu-Jun Choi | 2022, 66 | pp.42~63 | number of Cited : 0
Meta Discourse on Political Discourse in Korean Cinema (the first volume): Based on Jacques Rancière’s Three Regimes of Art
Suh, Dae Jeong | 2022, 66 | pp.64~91 | number of Cited : 0
A Study on Contemporary Artworks through Agamben’s Art Theory
Jihye Kim | 2022, 66 | pp.92~118 | number of Cited : 0
Tektonics as a Momentum of Governmentality: Reflections on the Intersection of Architectural Modernism and Fascism
Chun, Jin Sung | 2022, 66 | pp.120~148 | number of Cited : 1
The Phenomenological Subject of Korean Contemporary Art: Focused on ST Group and its Discourse
Hea-Seung Kang | 2022, 66 | pp.150~173 | number of Cited : 0
Affective Autonomy in Korean Art Projects of the 2000s
Byunghee Lee | 2022, 66 | pp.174~196 | number of Cited : 0
The Aesthetics of Atmosphere and Artistic Practice in the Age of Pandemic: Corona Camouflage - Mobile Connector of Sun Choi
Jimin Son | 2022, 66 | pp.198~228 | number of Cited : 2
Jean-Philippe Rameau’s Scientific Music Theory: The Scientific Foundation and Method of His Theory of Harmony
Jun-Sik Won | 2022, 66 | pp.230~254 | number of Cited : 0
Characteristics of Simulacra in Elements of Trompe-l’oeil as Seen in Cubist Painting: A Focused Review of Works by Braque
Park, Sung-Yong | 2022, 66 | pp.256~276 | number of Cited : 3
The Ontological Significance of NFT Artwork
Jin-Hoo Hong | 2022, 66 | pp.278~302 | number of Cited : 5