@article{ART002858290},
author={Park, Sung-Yong},
title={Characteristics of Simulacra in Elements of Trompe-l’oeil as Seen in Cubist Painting: A Focused Review of Works by Braque},
journal={The Journal of Aesthetics and Science of Art},
issn={1229-0246},
year={2022},
volume={66},
pages={256-276},
doi={10.17527/JASA.66.0.10}
TY - JOUR
AU - Park, Sung-Yong
TI - Characteristics of Simulacra in Elements of Trompe-l’oeil as Seen in Cubist Painting: A Focused Review of Works by Braque
JO - The Journal of Aesthetics and Science of Art
PY - 2022
VL - 66
IS - null
PB - 한국미학예술학회
SP - 256
EP - 276
SN - 1229-0246
AB - This paper analyses trompe-l’oeil elements in Cubist paintings, focusing on the works of Braque. The concept of trompe-l’oeil and simulacra are the theoretical background as a convergence study of art works and aesthetics. This paper aims to demonstrate that trompe-l’oeil is not just an imitation but an extension of the concept of reality through the relationship between actuality and virtuality. For the theoretical background, trompe-l’oeil is classified into two categories based on historical anecdote, Zeuxis and Parrhasius, and simulacra are categorized into four images based on Baudrillard’s theory. In the analysis of Braque’s painting, I first analyze the transformation from Renaissance illusional space into Cubist space in Braque’s early work Viaduct at L’Estaque (1908). Afterwards, I investigate two of his paintings, Violin and Palette (1909) and Violin and Pitcher (1910), and analyze how the trompe-l’oeil elements are decoded to be read in the cubist pictorial space. My analysis suggests that his trompe-l’oeil elements are closer to Parrhasius than to Zeuxis, closer to the hyper-reality of Baudrillard’s fourth simulacra image, and extend the concept of reality beyond actuality.
KW - Braque;Cubism;Hyper-real;Picasso;Pictorial Space;Simulacra;Trompe-l’oeil
DO - 10.17527/JASA.66.0.10
ER -
Park, Sung-Yong. (2022). Characteristics of Simulacra in Elements of Trompe-l’oeil as Seen in Cubist Painting: A Focused Review of Works by Braque. The Journal of Aesthetics and Science of Art, 66, 256-276.
Park, Sung-Yong. 2022, "Characteristics of Simulacra in Elements of Trompe-l’oeil as Seen in Cubist Painting: A Focused Review of Works by Braque", The Journal of Aesthetics and Science of Art, vol.66, pp.256-276. Available from: doi:10.17527/JASA.66.0.10
Park, Sung-Yong "Characteristics of Simulacra in Elements of Trompe-l’oeil as Seen in Cubist Painting: A Focused Review of Works by Braque" The Journal of Aesthetics and Science of Art 66 pp.256-276 (2022) : 256.
Park, Sung-Yong. Characteristics of Simulacra in Elements of Trompe-l’oeil as Seen in Cubist Painting: A Focused Review of Works by Braque. 2022; 66 256-276. Available from: doi:10.17527/JASA.66.0.10
Park, Sung-Yong. "Characteristics of Simulacra in Elements of Trompe-l’oeil as Seen in Cubist Painting: A Focused Review of Works by Braque" The Journal of Aesthetics and Science of Art 66(2022) : 256-276.doi: 10.17527/JASA.66.0.10
Park, Sung-Yong. Characteristics of Simulacra in Elements of Trompe-l’oeil as Seen in Cubist Painting: A Focused Review of Works by Braque. The Journal of Aesthetics and Science of Art, 66, 256-276. doi: 10.17527/JASA.66.0.10
Park, Sung-Yong. Characteristics of Simulacra in Elements of Trompe-l’oeil as Seen in Cubist Painting: A Focused Review of Works by Braque. The Journal of Aesthetics and Science of Art. 2022; 66 256-276. doi: 10.17527/JASA.66.0.10
Park, Sung-Yong. Characteristics of Simulacra in Elements of Trompe-l’oeil as Seen in Cubist Painting: A Focused Review of Works by Braque. 2022; 66 256-276. Available from: doi:10.17527/JASA.66.0.10
Park, Sung-Yong. "Characteristics of Simulacra in Elements of Trompe-l’oeil as Seen in Cubist Painting: A Focused Review of Works by Braque" The Journal of Aesthetics and Science of Art 66(2022) : 256-276.doi: 10.17527/JASA.66.0.10
