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Sound, Memory, and Musical Performance: ‘Archive’ and ‘Repertoire’ of Korean Music

  • The Journal of Aesthetics and Science of Art
  • Abbr : JASA
  • 2024, 71(), pp.6-27
  • DOI : 10.17527/JASA.71.0.01
  • Publisher : 한국미학예술학회
  • Research Area : Arts and Kinesiology > Other Arts and Kinesiology
  • Received : December 15, 2023
  • Accepted : January 13, 2024
  • Published : February 28, 2024

Yu-Jun Choi 1

1전남대학교

Accredited

ABSTRACT

In this paper, I attempt to situate the recent shift in perceptions of music-related intangible cultural property within the context of the postmodern turn, in particular the “performative turn.” In doing so, the paper aims to move beyond the binary logic of tangible/intangible to explore the rich meanings of “musical performance,” particularly from a postcolonial perspective on non-Western cultures. To do so, I will take several theoretical and conceptual detours. First, I will critically examine the idea of “music as performance” as it emerged in the field of new musicology in the late 20th century, and further explore the concept of “performance” through postcolonial issues in ethnomusicology (music anthropology) and performance studies. In doing so, I will pay attention to the concepts of “archive” and “repertoire” as proposed by Diana Taylor, and conclude our discussion by using these concepts to examine some of the critical issues surrounding Korea’s Intangible Cultural Property No. 1, Jongmyo Jereak.

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This paper was written with support from the National Research Foundation of Korea.
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