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2024, Vol.71, No.

Sound, Memory, and Musical Performance: ‘Archive’ and ‘Repertoire’ of Korean Music
Yu-Jun Choi | 2024, 71 | pp.6~27 | number of Cited : 0
Issues in New-Realism Aesthetics 2: Markus Gabriel’s New Realism Art Theory
Nam-See Kim | 2024, 71 | pp.28~48 | number of Cited : 0
The Complex Logic of Public Art: The Aesthetic Space in the Global City and Anish Kapoor’s Cloud Gate
Kang Su-Mi | 2024, 71 | pp.50~77 | number of Cited : 0
The Problem of the Work of Art in Sartre’s Theory of Imagination: The Possibility of Imagination beyond Subjectivity
Sol Lee | 2024, 71 | pp.78~97 | number of Cited : 0
The Idea of Infinity within Finite Artwork: Alain Badiou’s Theory of Fine Art
Chang Tae Soon | 2024, 71 | pp.98~115 | number of Cited : 0
The Meaning of ‘Naturalism’ in Korean Art Discourse: Focusing on Kim Won-yong’s ‘Naturalsim’ and Lee Yil’s ‘Pan-naturalism’
Jeong-eun Kim | 2024, 71 | pp.118~136 | number of Cited : 0
Rereading Neo-Realistic School as Avant-garde in the early 20th Century: Focusing on the Influence of Surrealism
Hea-Seung Kang | 2024, 71 | pp.138~160 | number of Cited : 0
Memories of the Mediums and Contemporary Korean Art: Focusing on Seung-taek Lee’s Artworks
Jung-Min Han | 2024, 71 | pp.162~194 | number of Cited : 0
Reflections on the Three Theses of Kant’s Aesthetics and their Systematic Implications: A New Reading of the Theses on Aesthetic Emotion, the Play of Faculties, and Communicability
Sun Kyu Ha | 2024, 71 | pp.196~219 | number of Cited : 0
Form and End: Focusing on Kant and Cassirer
Jung-Hee Chu | 2024, 71 | pp.220~241 | number of Cited : 0
Graham Harman’s Object-Oriented Ontology and the Problem of Excess in the Audience Object
Hyoun-Sup Shim | 2024, 71 | pp.242~264 | number of Cited : 0
Are Videogames Works of Art?
Daniel Martin Feige | 2024, 71 | pp.266~307 | number of Cited : 0