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Body Ideology of overlapping: a Study on ShaChuang’s Libido Practice

  • The Journal of Study on Language and Culture of Korea and China
  • Abbr : JSLCKC
  • 2007, (12), pp.383-396
  • Publisher : Korean Society of Study on Chinese Languge and Culture
  • Research Area : Humanities > Chinese Language and Literature
  • Published : February 28, 2007

朱崇科 1

1中山大

Candidate

ABSTRACT

When body confronts with knowledge, it will lead to versatile body gestures: on the one hand, knowledge can broaden the possibilities and potentials in the body thus make it more active, self‐productive and individual, but on the other hand, knowledge as a cultural power in Foucault’s sense, it can also partly depress the autonomy of the body and add new cultural politics to the body. Within this context, when we re‐read Sha Chuang by Ge Hongbing and discuss the libido practice in this novel, we can find it has fertile meanings: it discloses the complexity and degeneration intellectual body in the ivory tower and represents many kinds of functions of the body. But it has to point out that body ideology in this novel actually reflects the heaviness of the flesh. Even if we turn to the representations of body functions, we can find out paradoxes often: to release and to depress, to resist and to oppress, and to transcend and to harm etc.

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