@article{ART002961564},
author={sung-hee Jin},
title={A Study on the World of Nomad and Rizome embodied in the movie Everything Everywhere All At Once},
journal={The Journal of Study on Language and Culture of Korea and China},
issn={1738-0502},
year={2023},
number={68},
pages={325-351},
doi={10.16874/jslckc.2023..68.011}
TY - JOUR
AU - sung-hee Jin
TI - A Study on the World of Nomad and Rizome embodied in the movie Everything Everywhere All At Once
JO - The Journal of Study on Language and Culture of Korea and China
PY - 2023
VL - null
IS - 68
PB - Korean Society of Study on Chinese Languge and Culture
SP - 325
EP - 351
SN - 1738-0502
AB - This article analyzes "Daniels"' film Everything Everywhere All At Once, which has been active in various media genres with an experimental attitude, and examines the aspect of raising the level of minority, family, or growth films with a special film aesthetics that has not been seen in film grammar.
"Daniels" showed the essence of grammar that crosses the boundary between films and films with intertextuality that "brings" representative works of Hong Kong films and certain film genres through a device called "multi-space." In addition, Chinese actors working in Hollywood re-write their own history in the film, acting as translators of identity such as ethnic-national-class-cultural crossings and actively participating in the work's central theme awareness and semanticization process.
The narrative of Everything Everywhere All At Once is in line with Deleuze and Gatari's nomadism and Rizome's consciousness. The characters in the movie break down the existing order by crossing the existing "selfs" in the multiverse. In these universes, someone does not judge others by superior power. The narrative of these films provides implications for the healthy existence between me and the group, including those living in the ups and downs of complex history and political science between the East and the West.
KW - Everything Everywhere All at Once;Chinese immigrants;multiverse;recall;rewrite;intertext;nomad;rhizome
DO - 10.16874/jslckc.2023..68.011
ER -
sung-hee Jin. (2023). A Study on the World of Nomad and Rizome embodied in the movie Everything Everywhere All At Once. The Journal of Study on Language and Culture of Korea and China, 68, 325-351.
sung-hee Jin. 2023, "A Study on the World of Nomad and Rizome embodied in the movie Everything Everywhere All At Once", The Journal of Study on Language and Culture of Korea and China, no.68, pp.325-351. Available from: doi:10.16874/jslckc.2023..68.011
sung-hee Jin "A Study on the World of Nomad and Rizome embodied in the movie Everything Everywhere All At Once" The Journal of Study on Language and Culture of Korea and China 68 pp.325-351 (2023) : 325.
sung-hee Jin. A Study on the World of Nomad and Rizome embodied in the movie Everything Everywhere All At Once. 2023; 68 : 325-351. Available from: doi:10.16874/jslckc.2023..68.011
sung-hee Jin. "A Study on the World of Nomad and Rizome embodied in the movie Everything Everywhere All At Once" The Journal of Study on Language and Culture of Korea and China no.68(2023) : 325-351.doi: 10.16874/jslckc.2023..68.011
sung-hee Jin. A Study on the World of Nomad and Rizome embodied in the movie Everything Everywhere All At Once. The Journal of Study on Language and Culture of Korea and China, 68, 325-351. doi: 10.16874/jslckc.2023..68.011
sung-hee Jin. A Study on the World of Nomad and Rizome embodied in the movie Everything Everywhere All At Once. The Journal of Study on Language and Culture of Korea and China. 2023; 68 325-351. doi: 10.16874/jslckc.2023..68.011
sung-hee Jin. A Study on the World of Nomad and Rizome embodied in the movie Everything Everywhere All At Once. 2023; 68 : 325-351. Available from: doi:10.16874/jslckc.2023..68.011
sung-hee Jin. "A Study on the World of Nomad and Rizome embodied in the movie Everything Everywhere All At Once" The Journal of Study on Language and Culture of Korea and China no.68(2023) : 325-351.doi: 10.16874/jslckc.2023..68.011