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Cantonese Pop, Korean Popular Culture, and Fandom―The Reception of Hong Kong Female Stars in Korea during the 1980s and 1990s

  • The Journal of Study on Language and Culture of Korea and China
  • Abbr : JSLCKC
  • 2025, (78), pp.271~291
  • DOI : 10.16874/jslckc.2025..78.010
  • Publisher : Korean Society of Study on Chinese Languge and Culture
  • Research Area : Humanities > Chinese Language and Literature
  • Received : October 10, 2025
  • Accepted : November 20, 2025
  • Published : November 30, 2025

KIM JUNG EUN 1

1한국외국어대학교 대만연구센터

Accredited

ABSTRACT

This study examines how female stars in Hong Kong films of the 1980s and 1990s were received in Korea, and investigates the ways in which these stars influenced Korean popular culture and fandom culture as a pre-history of the Korean Wave (Hallyu). Focusing particularly on three major actresses active in Hong Kong cinema during this period—Joey Wong, Brigitte Lin, and Chingmy Yau—the study analyzes the images and symbols they constructed and explores the impact they had on Korean popular culture and fandom practices. The female characters portrayed by Wong, Lin, and Yau in Hong Kong films of the 1980s and 1990s broke away from earlier traditional and passive representations of women. Instead, they embodied autonomous and active characters that helped shape new social perceptions of female roles. This shift carries sociocultural significance, as it contributed to later transformations of female characters in Korean popular cultural content and to the diversification of fandom culture.

Citation status

* References for papers published after 2024 are currently being built.

This paper was written with support from the National Research Foundation of Korea.