2016, Vol., No.37

The Value of ‘Gasa’ as a Resource of Culture-Tourism

ko, Soon-Hee | 2016, (37) | pp.5~32 | number of Cited : 6

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Life of Ahn Seowoo and the Background of His Sijo Creation

Yongchan Kim | 2016, (37) | pp.33~62 | number of Cited : 2

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The Creative Value of Gasa Literature

Eunhee Kim | 2016, (37) | pp.63~94 | number of Cited : 4

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In this paper, on the basis of former researches, I describe the creative value of Gasa literature. The creative value is aimed for the essential and fundamental values, growth of human and self-realization. I have reviewed and organized ‘A principle of the edification of creativity' with the contemporary concepts and characteristics of creativity. It was confirmed that the values as a language structure, literature and classical poetry especially Gasa had been interrelated, amassed and realized as 'literary characteristics and the creative value of Gasa literature'. By attempting to approach from the value of the literary characteristics of Gasa as a historical accumulation, it is investigated that the Gasa literature is worth in order to cultivate the creativity. The creativity ultimately means the ability to see things and the world newly. It could be comprehended that ‘Newly’ means the ability of changing and developing the world positively and its specific producing. Therefore the 'edification of creativity' is standing for what enlightens creativity inherent in humanity and grow them humanly. It also enables the acquisition of characteristic elements such as the power to practice and know the value of coexistence and autonomy, learning planning ability of self-led, community relations of thinking, leadership, teamwork and responsibility, etc. If we regard it as a acquisition of a view that can be to live in balance between the ego and the world, manifestness of the ability to produce it orderly and edification of the ability to promote harmonious coexistence, literature is the most effectual means, especially classical poetry - Gasa literature is confirmed to be more effective. The value of Gasa literature as a text of an edification of creativity could be confirmed in two axes, ① a side of understanding and appreciation : the point where connected to the tradition and the characteristics of the traditional Gasa and ② a side of creation and self-application : the point where connected to the modernization and modern succession. It is completed through dualistic and integrative experiences of ① and ②. As a base which led the culture of modern society, it also can contribute to the expansion of the cultural content. On the other hand, this kind of integrative experience has a function of healing which is the natural value of literature. In other words, reading and creating Gasa can make emotional stability and self-reflection, and even self-realization in addition. This would also an ultimate oriented point of creative value. Especially classical literature has a current value because it has kept the many literary devices that was needed in order to overcome the psychological and mental disorders for many years. Thus understanding, appreciating and the writing experience of Gasa has a value that leads to self-realization through restoring a healing and empathy → restoring his nature by classics in a individual modern society.

A study on the emotion educational values of Songgang' Gasa

Park, Young Ju | 2016, (37) | pp.95~135 | number of Cited : 2

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The life of exile in Heuksando and communication of Choi, Ik-hyun

seo, seong-u , 양보경 | 2016, (37) | pp.137~158 | number of Cited : 2

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Memory and lyricism of Hyangga

Jae Hong Shin | 2016, (37) | pp.159~186 | number of Cited : 2

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This study is an approach to lyricism of Hyangga through the concept of memory. The memory is a conscious behavior of human being and a motive of creating lyrics. The historical features of Hyangga could be appeared with memory approach attended to various subjects, objects, and conditions of memory in each age. In Wonwangsaengga the religious wish is expressed through which the poetic speaker makes the happening of this time and space to be memory and brings the memory of long time ago to this time. The speaker believes rebirth in Nirvana with showing the series of memory of himself, the moon and the Amitabha. In Mojukjirangga poetic thoughts are developed with tensed relation between past good memories and today sorrowful situations. In spite of anxious situations, the speaker has a conviction to be relieved by his chief on the base of past memories. The memory of this poem has a feature of social relations in Shilla dynasty. In Wonga the poetic speaker wants king’s mind to turn toward himself with memories of particular and routine happenings. In order to be reinstated he deals with memories of promise of political relations. In Changiparangga it is proclaimed that people cherishing the memory of Hwarang’s leader get the rising above the world to Nirvana as their idea of life. The speaker makes the memory of leader’s last words to become a corrective memory and to be idea of the age. Wonwangsaengga and Changiparangga have religious and ideal features, Mojukjirangga and Wonga have social, political ones. Comparing that transcendental wills are appeared in those poems, problems of relation between individuals or groups are figured in these. With this we could know that themes of vow and faithfulness would be cultural memory of Shilla society. In four poems memories are figured with various ways fitted each works. There are the ways of getting memorial eternity and making memories in Wonwangsaengga, tension between past and present and belief based on memory in Mojukjirangga, raising a question of memorial consistency and expending of memories in Wonga, finding out memorial traces and concentration of memories in Changiparangga, The lyricism of Hyangga is intensified by figuration of memory. Themes of wish for the rebirth in Nirvana, desire to be relieved by belonged group, recovery of promise which is broken, making memory to be idea through cherishing are versified by figuration of memories. Also figures of a sincere prayer, solidarity of Hwarang and Nangdo, intimacy of sovereign and subject, will of succession to master’s idea have been made explicitly. And poetic thoughts are structured by the ways of making memories, expending of memories, and concentration of memories. With these ways consciousness and feelings, images and atmospheres are figured in Hyangga poems. So we could confirm that the lyricism would intensified by memories to working in themes, images and structures of lyrics.

A Study on the Creation Time and Nature of Cheongryangsanbaekgujigok

Lee, sang-won | 2016, (37) | pp.187~213 | number of Cited : 3

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The study on the characteristics of Taegobowu(太古普愚)’s giving other Seon poetry

Jeonjaegang | 2016, (37) | pp.215~242 | number of Cited : 5

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The Mind of Seokchoen's Poetry Creation - Philosophy and Poetics

Choi Han Sun | 2016, (37) | pp.243~284 | number of Cited : 0

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Study about the literary meaning of alcohol in Korean classical poetry

ByeongIk hwang | 2016, (37) | pp.285~323 | number of Cited : 1

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The Studies in Korean Poetry and Culture 2023 KCI Impact Factor : 0.37

2016, Vol., No.37