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Between Sokyo and Hyangga

  • Journal of Korean Literature
  • 2014, (30), pp.39-62
  • Publisher : The Society Of Korean Literature
  • Research Area : Humanities > Korean Language and Literature
  • Published : November 30, 2014

Seo, Cheolwon 1

1서울대학교

Accredited

ABSTRACT

Between Sokyo and Hyangga, have been discussed in a manner that you can assume that Relation, focus on the differences in the background of the work. This article has a variance that is comparison from the side of Sokyo and configuration of line, but rather, it is a point that there be a two axis poetry history by the action of the difference. Hyangga while trying to relatively free Shigyo configuration based on customs and meaning of writers through the line too long or intermediate line of short first, Sokyo iterative Len row and quantity similar by placing, and a configuration more regular in the field of Music. If you look at the Sokyo and word length, Hyangga attempt to voice stand deeply sinking vibrates to Sokyo. On the other hand, Jeongeupsa is composed of 3 stages, there is a current affairs in conjunction with the personality of Baekjegayo as Engen of Sokyo.

Citation status

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