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2012, Vol.25, No.1

Seascape: Who's Afraid of Flux and Mutation?
강선자 | 2012, 25(1) | pp.5~27 | number of Cited : 0
Something Clear, Something Cloudy as an Experimental Memory Play
Soim Kim | 2012, 25(1) | pp.29~54 | number of Cited : 1
Authenticity of Art in Naomi Iizuka's 36 Views
Yon-hee Chun | 2012, 25(1) | pp.55~85 | number of Cited : 0
Traumatic, Melancholic, and Supernatural Aspects of Loss in Julia Cho's The Architecture of Loss
정광숙 | 2012, 25(1) | pp.87~112 | number of Cited : 3
Chora-graphy as a Performance writing in 4.48 Psychosis
Choi,Young-Joo | 2012, 25(1) | pp.113~139 | number of Cited : 1
The End of the Story: A Study on Tom Murphy's Bailegangaire
Yumi Hong | 2012, 25(1) | pp.141~167 | number of Cited : 0
A Study of the Impact of the Holocaust on Nana and Her Family in I Love You, I Love You Not
Hwang, Kyu Cheol | 2012, 25(1) | pp.169~188 | number of Cited : 0
‘The Moment of Revolution’: A Re-evaluation of Communism in David Edgar’s The Shape of the Table
KIM, YOO | 2012, 25(1) | pp.189~212 | number of Cited : 0