본문 바로가기
  • Home

The Queen’s Ecstatic Moment: Eugenic Concerns in William Butler Yeats’s A Full Moon in March

  • Journal of Modern English Drama
  • Abbr : JMBARD
  • 2024, 37(2), pp.409-433
  • Publisher : 한국현대영미드라마학회
  • Research Area : Humanities > English Language and Literature > English Literature > Contemporary English Drama
  • Received : July 21, 2024
  • Accepted : August 10, 2024
  • Published : August 31, 2024

Ji Hyea Hwang 1

1연세대학교

Accredited

ABSTRACT

This article examines William Butler Yeats’s eugenicist concerns in his play A Full Moon in March (1935) alongside his essays, primarily “If I were Four-and-Twenty” (1919) and “To-morrow’s Revolution” (1938). This comparative study reveals how Yeats uses the interaction between the Queen and the Swineherd to warn against what he perceived as the reasons for the degeneration of Irish culture and society. The play’s climactic dance, or the Queen’s “ecstatic moment,” serves as a dramatic embodiment of Yeats’s growing belief in the crucial role of elite women’s sexual choice in determining the future of Irish society. Drawing on Yeats’s concept of “mother-wit” as well as his concerns about the population decrease of the “better stocks,” the study demonstrates how A Full Moon in March reflects Yeats’s preoccupation with eugenics and the continuity of upper-class family lineage in relation to societal progress and Irish cultural regeneration. This analysis offers a new interpretation of A Full Moon in March, highlighting the intricate connections between Yeats’s aesthetic, political, and eugenicist concerns in his later career, complementing existing studies which highlight the Japanese Noh-inspired aesthetics of the play.

Citation status

* References for papers published after 2023 are currently being built.