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The study on the Buddhist Monk Portraits made by Okin In Tongdosa

Kim, Guk-Bo 1

1동아대학교

Candidate

ABSTRACT

The Buddhist Monk Portrait, the object of worship, is about thousand now made almost after Japanese Invasion of Korea in 1592. sixty seven out of a thousand have preserved in Tongdosa, twenty six out of them check up when made it or even who. This thesis study to draw a Okin's style of painting through five works made by Okin out of twenty six in Tongdosa, especially two works, painted by Okin and make a comparative study the Buddhist Monk Portraits of being unknown in Tongdosa. and genealogy of Okin in painters on the basis of painters together recorded Buddhist painting made Okin. As a result, Okin have been in activity in Gyeongsangbukdo and moved to Tongdosa with Jiyeon made the Gwaebul(掛佛) at Tongdosa in 1792. Also Okin should seem to sit at Jiyeon's feet and Seungwhal been in activity with him should seem to sit at Okin's feet. Okin's style of painting runs as follows. The keynote of painting's form are to be Pungdaes hanged down on the upper portion of picture, the pattern of mat and the Sutras on the table beside a person and the keynote of painting's style are to be Monk'clothes, patterns of it's wrinkles, for example, shaped like a Younji(kinds of mushroom), shaped like 'Ω' on monk's robe etc. Through this fact, the Gyeungpadang, Ilbongdang and Eunganmdang out of Buddhist Monk Porrtaits in Tongdosa are the works of Okin or the interrelated work of Okin.

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