2015, Vol., No.66

Journal of Japanese Culture 2023 KCI Impact Factor : 0.36

pISSN : 1226-3605 / eISSN : 2733-8908
https://journal.kci.go.kr/JJC

This thesis analyzes texts of Japanese translation from a Korean novel in order to study how Japanese first-person pronouns are used in Korean-Japanese translation First, when the speaker is female, "watashi" corresponds to "jeo" and "na" and "atashi" corresponds to "na" which is relatively less polite than "jeo". This shows that "watashi" which is used by female speakers is used both in formal and informal circumstances in general. Second, when the speaker is male, "watashi" corresponds to "jeo" and "na" as is used by female speakers but there is a gender difference in the identification of level of treatment in a sense that "watashi" is used in more formal circumstances when spoken by male speakers. "boku" is a first-person pronoun that is used only by men in more informal circumstances than "watashi" but in reality, it can correspond to "jeo" and is used more widely than its traditional perception. "Ore" has been perceived to be used in much more informal circumstances when compared with "watashi" and "boku" but the analysis shows that it can correspond to "jeo" and is used even in polite expressions in Japanese in some cases. Also according to the analysis, the male speaker distinguishes "boku" and "ore", depending on the top-bottom relationship and close/distant relationship with the listener, the gender of the listener, the change of close/distant relationship, and the change of speaking scenes. Lastly, the result of analysis demonstrates that the distinction among "watashi", "boku", and "ore" is becoming blurred in line with changing times and therefore, a Japanese first-person pronoun that corresponds to "jeo“ is not limited to "watshi" and a Japanese first-person pronoun that corresponds to "na” is used in diverse ways according to speaker's relationship with the listener, speaking scenes, and speaker's characters.

The dispute over possession of Dokdo in Korea and Japan should move on to ascertain historical truths, based on it and seek means of common awareness. Therefore, a clear criteria about fact verification and value judgement should be built and the reality of An Yong-bok should be clarified according to the criteria. Hitherto the viewpoint of ‘Sano’ that paid attention to an identity tag the Japanese citizens prescribed, ‘Busangdaego’ of the status of station house, and ‘Jamsang’ need to be reviewed. It have been took criticism that the Japanese selected historical materials and facts in the process of documentation and recorded to be subjectively favorable. The fact that we can assure through Japan's record is that the Japanese did not define a particular status or person but wrote very different according to their purpose. An Yong-bok was a person, but they described as a person with a variety of positions and status. It have to be recognized the fact that An Yong-bok turned out not to be slaves or the criminal, he was Chosun people had commercial ventures and related to civil administration of county magistrate.

It is possible to find the following characteristics through the manufacturing process of incense indicated by "Genji". First, incense women these Genji and Rokujoin is made for Akashi princess becomes a gift of the best celebration for after the ceremony, was supposed to go to the temple to become the Crown Princess princess. Second, spring, summer, autumn, winter, four seasons of residence, when it was a case manufacturing incense to women that live in Rokujoin, in order to best match with yourself, smell each personality appears best I'm making. And select the scent combined in four seasons, that it is than had been manufactured, that it was a four seasons theme combined to match the fragrance on the season, it was the age that the world of peace dynasty had enjoyed a golden age my shows. Third, Genji, scent purple on over, three of morning glory was making in common is more black. At that time, as has been rated as the best flavor, is a contemporary best wind flow people, through was educated person they black how manufacturing, than is was hoping to be evaluated their artistry and aesthetic eye. In this way Murasaki Shikibu to produce the what incense, due to some kind that you have made a, and in the work the person who character, identity and the position of the characters in this work, in order to further shape the culture and intelligence of the person I have the means of.