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2011, Vol.34, No.34

Dancer’s Body and the Open Structure of Contemporary Dance
MalborgKim | 2011, 34(34) | pp.1~27 | number of Cited : 21
Ideological Background Indicated by Language and Expression for Explaining Body Movement in Baroque Dance Literature and a Biomechanics Research in 17-18 Century Europe
Kim Sue In | 2011, 34(34) | pp.29~60 | number of Cited : 2
Meanings of Gendered Body Represented in Dance Works -Bill T. Jones’s Ghostcatching -
김주희 | 2011, 34(34) | pp.61~89 | number of Cited : 2
The Study on Gestalt Interpretation of Contemporary Dance -Focusing on Shenwei’s 「Connect Transfer」 -
Hye Ra Kim | 2011, 34(34) | pp.91~131 | number of Cited : 1
A Study on the Dramatic Functions of the Dances Featured in the Musical
CHUNG, EUI SOOK , Mijung Roh | 2011, 34(34) | pp.133~159 | number of Cited : 6
The character of Yin Yang and Chi in Contact Improvisation
안신희 | 2011, 34(34) | pp.161~189 | number of Cited : 4
Study on Changing Developments of Syokyokusai Tenkatsu’s Dance
Lee Ju Hee | 2011, 34(34) | pp.191~213 | number of Cited : 4