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2010, Vol.32, No.

Aesthetics as Meta-criticism
Joosik Min | 2010, 32 | pp.5~36 | number of Cited : 9
The Mainstream and Prospects of Analytic Aesthetics
Yu-Kyung Hwang | 2010, 32 | pp.37~62 | number of Cited : 4
Sigmund Freud and Michelangelo's Moses : Image-description for Neuroanatomy and Art Criticism
Shin, Seung-Chol | 2010, 32 | pp.63~100 | number of Cited : 2
The Politics of Modernist Criticism of Art Photography : Medium-Specificity and Abstraction in Photography
Lee, Phil | 2010, 32 | pp.101~140 | number of Cited : 1
The Philosophical Aspects in Understanding Artworks : The Dialectics of Transition in the Process of Artistic Interpretation
정용도 | 2010, 32 | pp.141~164 | number of Cited : 3
Justice and the Art of Technicity : The Aporetic Responsibility Between Us
Hugh J. Silverman | 2010, 32 | pp.167~196 | number of Cited : 2
A Preliminary Research for Yohan Zoh's Philosophy of Art
Ihn-Bum Lee | 2010, 32 | pp.199~226 | number of Cited : 4
Paul Tillich, The Theology of Art
San Choon Kim | 2010, 32 | pp.227~250 | number of Cited : 3
The Study of the Correlation of Adorno's Aesthetic Nominalism with Postmodern Art Theory
Yu HyunJu | 2010, 32 | pp.251~276 | number of Cited : 5
L'Être de l'objet technique : la recherche préparatoire pour l'ontologie de l'image digitale
Kim Hwa Ja | 2010, 32 | pp.277~310 | number of Cited : 8
Roland Barthes's ‘Camera Obscura’ : The Photographic Specificity
Park Sangwoo | 2010, 32 | pp.311~342 | number of Cited : 3
1945-1950, Nationalism and the Utopia of Korean Art
Kim Ju Weon | 2010, 32 | pp.343~372 | number of Cited : 2
The Meaning and Ideological Character of Child Image in the North Korean Painting
Hong Ji Suk | 2010, 32 | pp.373~402 | number of Cited : 2
An Iconographic Study of ‘Manus Dei’ in the Early Christian Art
조수정 | 2010, 32 | pp.403~430 | number of Cited : 1