2019, Vol., No.51

A Comparative Study on Chinese Modal Verb “yao” and the Corresponding Korean Modal Suffixes

MinJung Park | 2019, (51) | pp.3~36 | number of Cited : 0

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A Study of Chinses Causative Inquiry-denominal Verbs - Locative，Locatum and Goal -

Lee, Young Hee | 2019, (51) | pp.37~57 | number of Cited : 0

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A Study of Male Homosexuality Poetry in 『Yutai Xinyong』

Kwon, Hyek-seok | 2019, (51) | pp.59~88 | number of Cited : 0

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『Yutai Xinyong』 is the first poetry anthology except Shijing and Chuci. Erotic poems about female, which represent the trend of aestheticism in Liang dynasty of the Southern Dynasties, are included in the book. Among them, some of poems are about male homosexuality in Liang dynasty. It shows us that in Liang dynasty male homosexuality is as common as heterosexuality at least in royalty and gentry class. It signifies not only growing trend of male homosexuality in Liang dynasty, but also that male sexuality which had been ambiguous reached the level of Literati Poetry. There are some characteristics about ancient Chinese male homosexuality from 『Yutai Xinyong』. First of all, there is the inequality of social class between the enjoyer and the provider who offers the pleasure and it is usually one direction only. Therefore, most of the poems rather praised beauty of youth, than expressed affection. Secondly, the poems allows us to assume the enjoyer were bisexual. This is because that their background also gave the royalty and gentry class man the opportunity of having harem or concubine or prostitute. Thirdly, male homosexuality had not been taboo as a literature in the period. It rather means praise of male homosexuality that the presence of it in Literati Poetry. It is because that the enjoyer used to be royalty or gentry class from the scratch. Therefore, homosexuality was free from blames in a feudal society. Above all, the most important factor is related to the aesthetic trend led by Xiao Gang. He said that poetry were free from the virtue ethics and it has to be created as what they want. He completed the independence of literature which had been started from Cao Pi. In this background, he and the so-called palace poets could write those poems about male homosexuality. Through their poetry, they achieved their aesthetic concepts of literature.

Supernatural, Loyal and Erotic: The Images of Dog in Qing Dynasty's Note Novels

Fubo | 2019, (51) | pp.89~109 | number of Cited : 0

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Concern and Danger in Deep History：Analysis On Bing Xin’s Attitude towards Japan

Li Zhuoran | 2019, (51) | pp.111~135 | number of Cited : 0

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A Study of the ‘Helper’ Aspect in the Heroines in ‘The Myths’ Series

Do-Im Bae | 2019, (51) | pp.137~176 | number of Cited : 0

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The Comparative Study of Zhuxi’s thought and “Practical Thought” about “Knowledge and Practice” ―― As the center on the Comparative Study of Zhuxi' and Hong Tae-Yong’s Theory

kang Chun-hwa | 2019, (51) | pp.179~203 | number of Cited : 0

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“Knowledge and Practice” is one of the important category in Chinese epistemological philosophy. At knowing and doing theory, the famous Neo-Confucianist ZhuXi emphasized that “knowledge goeth before,and practice cometh after（知先行后）” 、“practice is larger than knowledge（行重于知）”and“knowledge advances together with practice（知行并进）.” ①And Hong-DaeYong is one of the representative abandoning Neo-Confucianism scholar in the late Joseon Dynasty. On the one hand he has been undoubtedly inherited the idea of “Knowledge and Practice” from Zhuxi ，but on the other hand he has proposed a new abandoning Neo-Confucianism theory —“illuminative thought”. First，by “knowledge”, Zhuxi means the knowledge about the personal moral accomplishment in the “knowledge goeth before and practice cometh after”. And by “knowledge”, Hong-DaeYong means not only the knowledge about the personal moral accomplishment and self-knowledge ，but of the knowledge about the natural world . His thoughts have embodied the importance to practical research and practical knowledge ，which are the main points of abandoning Neo-Confucianism “illuminative thought” at knowing and doing theory. ②)And, secondly, by “practice”，Zhuxi does not mean the objective activities of the transformation of the natural world ，but main means “moral practice” about self-fulfilment and self-actualization in the “practice is larger than knowledge”. And by “practice”, Hong-DaeYong means not only “moral practice” about self-actualization，but of the objective practice about the transformation of the natural world and human society. He thinks that is the theory about “practice larger than knowledge” is more important than that about “knowledge goeth before and practice cometh after”，and particularly puts emphasis on the function of practice，These thoughts show the illuminative scholar have characteristic of emphasizing practical things and practical doing. ③Third, Zhuxi 's the theory about “knowledge advances together with practice”，means “moral knowledge” and “moral practice”need each other， discover each other，and keep moving forward together. However，Hong-DaeYong 's the theory about “knowledge advances together with practice” means not only moral self-knowledge and practice ，but of the knowledge and practice about the natural world and human society. He thinks “knowledge and practice” must be the unity ，must be keep moving forward together，and must be agreed at a higher level. As we can see the differences between Zhuxi ’s and Hong Tae-Yong ’s Theory about “Knowledge and Practice” and have identified the content of Hong Tae-Yong ’s Abandoning Neo-Confucianism from above three aspects content.

Analysis of China’s cultural industry policy - with regard to the concept of ‘soft power’ -

Wee Hangbok | 2019, (51) | pp.205~234 | number of Cited : 6

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Possibility of Cultural Glocalism in the age of the Fourth Industrial Revolution - Focusing on recent cases of IP market in China -

Lee,Seung-Hee | 2019, (51) | pp.235~259 | number of Cited : 2

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KJCKorea
Journal Central

The Journal of Study on Language and Culture of Korea and China 2023 KCI Impact Factor : 0.38

2019, Vol., No.51