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The moon in the water and the image out of the land:the theory by changing skills in virtual and concrete images of Shang‐Chin

  • The Journal of Study on Language and Culture of Korea and China
  • Abbr : JSLCKC
  • 2010, (24), pp.399-420
  • DOI : 10.16874/jslckc.2010..24.018
  • Publisher : Korean Society of Study on Chinese Languge and Culture
  • Research Area : Humanities > Chinese Language and Literature
  • Published : October 31, 2010

李翠瑛 1

1대만 清華大學中文系

Candidate

ABSTRACT

Shang‐Chin is good at a prose poem, which is full of the strange and changeful images. His styles of prose poem have intersected the virtual and concrete images and these would be his main style influenced by Surrealism. Although Shang‐Chin doesn’t admit he is belong to the Surrealism, he still arouse by Surrealism in those virtual and concrete images. This paper, expect the foreword and the conclusion, the second part discusses how the images changing and the skill expressing by the poem of Shang‐Chin. And the skill comes from the Rhetoric called for “in images”(形象化)of “轉化”. The third part shows the reasons of the skills are the influence of Surrealism, personal environment, and the results of Shang‐Chin’s creative press. This paper used many theories, such as psychology, Literature theory, and other theory to discuss the virtual and concrete images of Shang‐Chin’s poem skill, and build the basic theory of the change skills in his poem. In a word, this paper expresses the sources and the reasons of the skills by the changing of virtual and concrete imagines in the poem of Shang‐Chin. By the theory discussing in this paper, we know the skills and the theory, the changing of in virtual and concrete images, in Shang‐Chin.

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