본문 바로가기
  • Home

Writing of Soakbu in the Late Goryeo and the Sentiment of Goryeo Songs

  • Journal of Korean Literature
  • 2017, (35), pp.67-97
  • Publisher : The Society Of Korean Literature
  • Research Area : Humanities > Korean Language and Literature
  • Published : May 31, 2017

Eo, Kang-seok 1

1충북대학교

Accredited

ABSTRACT

The aim of this study is to investigate the way and intention of composition of Soakbu written by Ikjae Geupam, and the propriety of the meanings of Um(淫) and Ran(亂) referred to as the representative sentiment of the Goryeo songs(gayo). Soakbu in the late Goryeo period was written with Goryeoga andyo and folksongs and in the form of a quatrain with seven-word lines in the short Akbu. It is one part of the compositon of Dongkuksi written by poets who stayed long in Won dynasty. As the viewpoints of the pluralism that Haw(華) and Lee(夷) are not different were getting widespread in the late Goryeo, the intention that culture of Goryeo can be the center of the word led Soakbu to be created. Also, as Goryeo songs that are the themes of Soakbu were used Akjang in Joseon court, they were adapted or replaced by words of Hanja for the reason of Namnyeosangyeoljisa. Studies on the Goryeo songs have focused on the sentiment of ‘lewdness’ so far. However, this paper shows that Um(淫) and Ran(亂) were the musical terms indicating the opposite concept of the right music(Jungak) and referred to the speed and the high and low of the music.

Citation status

* References for papers published after 2023 are currently being built.