Cyril Meir Scott lived from 1879 to 1970 for ninety-one years. He devoted his life to many different areas, including poetry, prose, music, and mysticism. His weird interests in theosophy and homeopathy, on the contrary, through shedding light on his characteristics and some of the subjects of his creative works, must be regarded as a negative aspect of his life and work. he developed many friendships and important collegial relationships during his life, and these friends and colleagues have tried out to the world to keep his work alive and get interested. As these people have passed on, others must have cast a fresh eye and ear on his works and given those an attention that those have long merited.
It is a common way of research to find new repertoires for singers snooping around the libraries and the professional music book stores. Most of time, it is easy to find any of art songs by the so-called “well-known”composers in Italian, French, and German under the well categorized and organized way to approach to the source. However songs by other languages, besides above three, or from the different cultural characters,it presents some degree of difficulty or challenge to the performers who want to expand their academic horizon. It is such a frustrating experience,considering not just the globalization but also outcasting the opportunity to understand so many other beautiful songs. Among performers and scholars, sharing this vision and academic ambition, since the last decade or so, Peter Warlock(pseudonym is also Philip Heseltine)'s songs have been revalued and added to the international music stages. He is one of Scott's contemporaries, sharing lots of precious musical characters with Scott's. It will be such a great loss if we miss the opportunity to know and rediscover Scott's songs into our knowledge and along this line, I hope this paper will be a limestone to do so.