2015, Vol., No.70

Journal of Chinese Language and Literature 2023 KCI Impact Factor : 0.28

pISSN : 1225-083X
https://journal.kci.go.kr/clsyn

Lu You was a prominent poet of China’s Southern Song Dynasty, he became a subject of comments by many people from the Yuan, Ming and Qing Dynasties through the present day. Qian Zhongshu also made some analysis on Lu You in his book Tan Yi Lu, Annotated Selection of Song Poetry, Guan Zhui Bian and Manuscripts of Qian Zhongshu. After we read through his books about Lu You, there could be several point to be made. The first, Qian Zhongshu dicussed about Lu You and his poems in many ways. The second, he’s quoted Chinese and the Western research materials to comment Lu You’s poems, trying to substantiate his opinion. The third, If we want to get a general overview, we have to read his books carefully, including Tan Yi Lu and Annotated Selection of Song Poetry. It will help us to understand whole meaning of Qian Zhongshu’s point of view about Lu You. The fourth, in Lu You, Qian Zhongshu took measures of evaluating the works based on figuring out characteristics of the poet who is a subject of study, meanwhile comparing him with other authors to display his distinct features. Lastly, There are a few things we should carefully consider, such as understanding of Lǚ Benzhong’Huo Fa, honoring Mei Yaochen, evaluation of poem in Late Tang Dynasty and main message of Lu You’s pomes. This has not alone main contents of Qian Zhongshu’s point of view about Lu You but also has significance to understand Lu You’s poems. And there are many sources, which also need to be studied in depth.

Passing through the development stage of Qing Dynasty to Period of Republic of China, the script for Story of Liusanjie was finalized during the formation stage took place between 1950s and 1960s. The very first appearance of story of Liusanjie was in Quanqi Opera of Qing Dynasty, A man in the snow. Appearance was continued in Liusanmei of Ouyangyuqian's Opera yet unperformed, along with Liusanmeigecao of Zhengzi Opera which didn’t have a full script but was very popular at the time. These works deeply contributed to story of Liusanjie to be made into a script. Transformation of the story to a script was initiated in 1950s shortly after the establishment of the People’s Republic of China. A script written for Caidiao Opera of Dengchangling was the first, and it not only generalized the name ‘Liusanjie’ but also became the matrix of the scripts for Song and Dance Dramas. Xiaoganniu Liusanjie story and Daqiao Opera Liusanjie, which arrived after Caidiao Opera of Dengchangling, also took a big role in formation of the script by redeeming its contents and using advanced technologies of stagecraft.

This Reports is a study on pedagogy of Chinese poets in Tang-Song Dynasty come through the investigation on educational poems to his son. In China, the tradition of educational poems starts at Han Dynasty. But it’s quantity and frequency is not more than educational prose. In Wei-Jin Dynasty, this tradition was established and confirmed owing to TaoQian, LuJi etc. In that Dynasty, The major Purpose and Methods of education is that lead child to grow humanity and moral character, and concentrated on succession and development of his’ family customs. In Tang-Song Dynasty, many poets emphasize education through the poem to his child. But In Tang Dynasty, that purpose is on the individual wealth and prosperity, not profess succession and development of family custom like in Wei-Jin Dynasty. In Song Dynasty, most of poets success the educational tradition in Wei-Jin Dynasty, stressed to grow humanity and moral character, and succession and development of family custom is to be a more important purpose of education. In the Methods of Education, Tang Dynasty compared with Tang- Song Dynasty. In Tang Dynasty, use the direct education method of recommend and advice. But in Song Dynasty, use the surrounding education method of enlightenment and influence.