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Transforming Postwar Korean Plays into Exhibition Content: Im Hee-jae’s The Locomotive That Lives on Flower Petals

  • International Journal of Glocal Language and Literary Studies(약칭: IGLL)
  • Abbr : IGLL
  • 2026, 23(23), pp.292~308
  • Publisher : Glocal Institute of Language and Literary Studies(GILLS)
  • Research Area : Humanities > Other Humanities
  • Received : July 20, 2026
  • Accepted : August 20, 2026
  • Published : August 30, 2026

LEE SEIN 1

1동국대학교

Accredited

ABSTRACT

This article examines the potential of postwar Korean plays as literary museum exhibition content, focusing on Im Hee-jae’s full-length play The Locomotive That Lives on Flower Petals( 꽃잎을 먹고 사는 기관차). Although literary museums in Korea have expanded their institutional foundations following the enactment of the Literature Promotion Act and the establishment of the National Museum of Korean Literature, discussion of exhibition methodologies remains limited. This study evaluates the play according to three criteria for literary museum materials: academic, historical, and artistic value. Academically, postwar plays can broaden the scope and methodology of literary museum studies. Historically, The Locomotive That Lives on Flower Petals, Im’s early and only full-length play, holds a significant place in 1950s postwar realist drama. Artistically, its boarding-house setting near Seoul Station and objects such as newspaper advertisements, reward money, a birdcage, a locomotive, and flower petals embody postwar deprivation and desire, damaged humanity, and the failure to reconstruct masculinity. Based on these values, this article proposes three approaches to exhibition: representation, reinterpretation, and reconstruction. Representation recreates the play’s spatial setting and postwar urban environment; reinterpretation translates its scenes and emotions into media art and video; and reconstruction integrates play-related materials, contemporary criticism, and historical photographs into an exhibition narrative. These approaches transform the postwar period into an experiential space for visitors, demonstrating the potential of postwar drama to expand literary museum exhibitions beyond their conventional emphasis on poetry and fiction.

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