2014, Vol., No.88

Kim Seong-ok | 2014, (88) | pp.5~27 | number of Cited : 6

In Korean, there is a restriction that /ㄹ/ and /ㄴ/ before /i, y/ cannot be in word-initial position and this restriction is limited to Chinese characters as an initial law by the 10th clause to the 12th clause of 『Korean orthography』. Also, the principle of current orthography is formalism writing, but regulation related to initial law takes phonemic writing which reflects a phenomenon that original sounds of Chinese characters are changed by environment to the writing. This research generally discussed the problems and reexamination of writing reflection of initial law. The conclusions are brief abstraction of the discussion. First, initial law is firstly enacted by 『unification agenda』(1933), so this research examined periodical background of the period and changing process of the regulation. As the result, it confirmed that actual sounds of Chinese characters were arranged by enactment of『unification agenda』 and currently unified sounds of Chinese characters are used, so its significant is great. However, for the arrangement of Chinese character sounds, Chinese character sounds themselves changes by phonemic changes like palatalization and changing phenomenon by initial law, a kind of allophonic rule, were regulated to the writing samely. Therefore, in relation to current regulation of initial law, small and big problems for the writing are raised. Second,『Korean orthography』 , a regulation related to initial law, discussed about problems of the 10th～the 12th clauses and complication of phonemic regulation by initial law. Third, this research discussed about actual condition of actual linguistic life for writing and pronunciation of word-initial position /ㄹ/ and /ㄴ/ before /i, y/ and confirmed that writing and pronunciation of word-initial position /ㄹ/ and /ㄴ/ before /i, y/ are natural and familiar to people today. Fourth, it wrote original sounds of Chinese characters as one of solutions for the problems by initial law and set phonemic rules such as /ㄹ/-deletion, /ㄴ/-deletion and /ㄹ/→/ㄴ /-replacement. And, direct·indirect usefulness by this discussion was finally suggested for linguistic life of people.

A Study on Translation Characteristics and Human-related Vocabularies of Dongguksinsoksamganghaengsildo(東國新續三綱行實圖)

Yu Kyung-Min | 2014, (88) | pp.29~55 | number of Cited : 2

A study on Lee Jae(頤齋) Hwang Yoon Seok's Gi(記)

Kim Dohyoung | 2014, (88) | pp.57~80 | number of Cited : 2

This article attempts to study Hwang Yun-seok(黃胤錫)’s gi(記) and understand his ideas and literary characteristics found from his works. His collection of works contains 16 pieces of gi(記). There is no yugi(遊記), and most of the works deal with structures. And in terms of the period that the works were written, many were created in his advanced age when he lived in his hometown after withdrawing from his office. Gi(記) that deals with private buildings all has almost no narration in it but is strongly characterized by discussion. A structure plays roles as representation or symbol that supports and expresses internalized values externally. Based on the names of the structures that were already named or the deeds of landlords, Hwang Yun-seok took the narrative method that drew discussion through Dangho(堂號) that had been named. The ground of that discussion or the criteria to judge the value are always from Chu His’ teachings or Confucian scriptures like 『Juyeok』, 『Sigyeong』,『Seogyeong』, or 『Maengja』 unexceptionally. And the keywords used to explain the meaning of Dangho(堂號) in his works such as Bunsu(分守), Cheonmyeong(天命), Gyeongui(敬義), Jungjeongsiui(中正時義), Bakyak(博約), Dokhaeng(篤行), and Jilsil(質實) also fall into the category of neo-Confucianism. He starts from structures and landlords and then develops his logic while explaining the meaning of Dangho and the point of pursuit, and the criteria to judge the value are in the category of neo-Confucianism associated with mind. Overall, he suggests the ideal human being, and in the end, it is concluded into concrete asceticism for practice. Also, he embodies the topic using such things as the catechetic method, rhetorical questions, irony, antithesis, and syncrisis. This was not meant to pursue aesthetics of the sentence itself but was just a means to highlight the gist of discussion. In his gi(記), too, Hwang Yun-seok sticks to conservative theory of literature faithful to Chu His’ teachings.

A Study on Historical Consciousness and Literary Imagination of <Yuguwangsejaoejeon>

Kim,Su-Jung | 2014, (88) | pp.81~100 | number of Cited : 5

Kim Ryeo took the basis of <Yuguwangsejaoejeon>, a story about Crown Prince Yugu, from folk tales and transmissions. Around 200 years ago, a party with crown prince Yugu drifted ashore on Jeju Island, and officials including a Jeju minister killed the crown prince and hundreds of foreigners to plunder precious treasure from the ship. So, a rumor that Yugu Country would cross the sea for revenge spread. Folk records such as 『Taekriji』 recorded the plunder based on the transmitted record. Kim Ryeo reflected the history based on the written record and expressed the future-oriented hope to revive the relationship with Yugu Country in his book. However, according to 『Joseon Silrok』, an official national record, the government tended to conceal the attack to the Yugu people, showing a vague attitude toward it. When political change happened, they would approach it according to the situations of the officers. The Jeju minister, who was the person concerned, was appointed to a higher position. Kim Ryeo disclosed the minister's wrongdoing specifically and criticized the corrupted power the evil people enjoyed. His historical consciousness was dramatically delivered to readers through his literary imagination. He made fantastic lists of treasures officers were fascinated with and increased indignation and pathos by describing that the crown prince wrote a poem of death with his blood. He weakened the logic the Jeju minister excused himself with by changing his real name and showed that an evil person with an imaginary name can be the subject of harsh judgement. As well, feeling sorry about the position of Yugu Country which could not obtain revenge as it is a small country, he cast a sad question on what could be done if they would cross the sea on a battleship. Kim Ryeo's literary mind based on stern historical lessons and understanding of the common people raised the problems consciousness in this work.

Analysis of the Characteristics and Implications of ‘Dongmong-si’

SON SIEUN | 2014, (88) | pp.101~126 | number of Cited : 5

This study is to make the frame that analyzes Dongmong-si as the children's self-expression literature in traditional society and recognize children as the subject of literature creation and enjoyment. The true meaning that the classic exists is to develop right personality and inculcate the historical consciousness for children. Recently many problems have arisen by the destruction of children's personality, which have been serious social issue. Considering such a problem context, Dongmong-si can play a role as humanistic education text that gives children healthy perspective on the world and the wisdom about their lives. The modern children write a poem. The poem is represented by childhood sense of children. Likewise the children in traditional society expressed innocent feeling and affectionate interest about nature and things through Chinese poetry. It's true that they didn't care much about the creative expression of pure childhood sense because the Zhu Xi school of Neo-Confucianism education considered right personality and personal moral important. But the children's beautiful mind is expressed 'Yet' or 'Still'. The aim of this dissertation is to study the both sides of the children's 'childlikeness' and 'mimicking adults' in traditional society through Dongmong-si text analysis. There is a difference according to the children's age despite the same kinds of poems. There is a little difference in the way of expressing of emotion or representing of subject. It is related with the process of thinking of the children closely. This dissertation is to make the frame that analyzes Dongmong-si as the self-expression literature of children in traditional society. Dongmong-si is the result that children's individuality is expressed in literature. Not only the mind and moral that the older generation demands to children but also inartificial childhood sense that only children have are represented through the catch of things and unique thought. This paper can be wrapped up like this. First, all the things that children encounter in their daily life are the subject to arouse curiosity in Dongmong-si. The children don't have any aspect to add sophisticated expression and use splendid technique like adults. They just embody the daily things that they see with innocence of childhood unartfully. Second, the grand aspiration and ambition for success is represented in Dongmong-si. According to the rank of children's writer, the academic desire and the learning-oriented attitude is represented in the work, which is interpreted as the desire of self-realization or the result of reality awareness. Third, The children's innocent personality that are not influenced by the real world is represented in Dongmong-si. Consequentially It's the basis to infer children's fate as the projection of children's inborn spirit. Fourth, the conventional form of Chinese poetry is the way that children in traditional society acquire the principle to represent things and incidents of the world surrounding them. Likewise there is the process that children learn the formal technique of Chinese poetry in Dongmong-si. The children in traditional society acquired the principle to represent things and incidents of the world by conventional style of Chinese poetry. They caught and represented the characteristics of the things with the interest and affectionate eyes about them. The children didn't make up or exaggerate like adults. Sometimes aspiration and ambition is represented for the success in Dongmong-si. It is the expression of ego and the result of consciousness of reality.

Shin Wi(申緯)’s Reinstatement and Aspect of Poems in Retirement Period

Shin, Il-kwun | 2014, (88) | pp.127~164 | number of Cited : 1

Aspects of Development and Genealogical Features of Self-elegies in Chosun Dynasty

Lim Jun Chul | 2014, (88) | pp.165~198 | number of Cited : 2

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Self-compassion and Mindfulness in Baek suk’s Poetry

Kwak Myoungsuk | 2014, (88) | pp.199~224 | number of Cited : 3

Dynamics of the Free Love, Culture Capital and Reformation of Korean Modern Gender ― Focusing on Jaesaeng by Lee Kwang-su

Yun Young-Ok | 2014, (88) | pp.225~248 | number of Cited : 4

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A Study on the Diary Literature of Garam Lee Byungki

Lee Kyeong ae | 2014, (88) | pp.249~279 | number of Cited : 3

Literary Path of Fairy Tale Writer, Jeong Tae-Byeong

Lee dong soon | 2014, (88) | pp.281~298 | number of Cited : 0

In overall history of Korean literature, there is few evaluations on writers who had defected or had been abducted to North Korea. Since the nation is divided into South and North Korea, there are many writers whose presence have been forgotten by most of people. And Jeong, Tae-Byeong is one of them. Even though he had left a lot of accomplishments regarding juvenile literature, his name has not been remembered by people not only due to lack of materials but also due to idleness of researchers. Therefore, this thesis covers the life and literal accomplishments of Jeong, Tae-Byeong in South Korea since there are no records of him after his defect to North Korea. Jeong, Tae-Byeong had grown up by being affected by anti-Japanese movement in Yeongkwang, Jeonnam which had been named as 'Utopia of Honam area'. Therefore, he naturally participated in anti-Japanese movement and also served time in prison as well. He had lived his whole life in his home town, Yeongkwang. In this sense, Yeongkwang was his literary nutrients as well as his source of creativity. Jeong, Tae-Byeong dreamed of the world without discrimination where the innocence of childhood is intact. Therefore, various sides of his activities in juvenile literary world confirms his overall literary status. He started his literacy career as a fairy-tale writer as his work, 'The picture of Ilnam' was ranked the 1st place in <Maeil Sinbo> in January 1939. He was the first writer who started his literacy career with juvenile literature in Gwangju and Jeonnam area. After that, his had left a lot of stories until liberation period and also translated Korean children's songs into Japanese. After independence, he compiled the Children's songs of Chosun to recover the innocence of childhood while writing Chosun creative folktales(novels) and critiques. He was also a member of Children's literature branch in Korea Writers Alliance. These facts confirm that he was not only Korean fairy-tale writer but also a writer who has devoted himself to development of juvenile literary world, furthermore a writer who has greatly contributed to the development of Korean juvenile literature. In this sense, the children's stories in Gwangju and Jeonnam area during the Japanese colonial period that have been recognized as the blank period can now be included as part of history of literature in Gwangju and Jeonnam area. Not only that, literary status of Jeong, Tae-Byeong could be included as part of history of Korean juvenile literature. Based on this perspective, the detailed analysis of Jeong, Tae-Byeong's children's stories will be covered in the next thesis.

The aspects of the existence presented in Yu Chi-Hwan’s early poetry

Ji-won,Lee | 2014, (88) | pp.299~331 | number of Cited : 0

In order to explain schematically about diverse aspects of the existence that Yu Chi-Hwan’s early poetry shows, this paper utilized the concept of Grenzsituation and transcendental being as a methodological framework which are main ideas of Karl Jaspers. The focuses of this writing were what types of aspects as a response or reaction of the poet to Grenzsituation and transcendence were presented in his poetry and what were the ultimate meanings of these aspects. Although the Grenzsituation of death and mental pain is what left the poet in deep anguish, ironically, it performed a critical role that made him live as an existentialist with transcending himself. This paper examined concretely his poetic responses to this Grenzsituation and tried to interpret the relationship between the anguish such as compassion, futility, and sorrow which were the poetic subjects revealing those responses and the existence as the consciousness of existence. Also, the contradiction which many disputants have indicated as the feelings between love and hate or the collisions between compassion and volition in Yu Chi-Hwan’s poetry was explained in a new way as it was a phenomena caused by collision between the present existence in Grenzsituation and the self being conscious of existence. It was examined that the self-torture in Yu Chi-Hwan’s poetry, a poetic response or reaction to feelings of guilt and Grenzsituation of struggle, appeared as poetic practice toward the existence. Especially it was a distinct feature that the self-torture in his poetry took a method of self-experimentation. The poet adopted ordeal as a main expedient to give a jump up to the existence to unstable himself under Grenzsituation. Noting that there were some metaphysical feelings of guilt in the root of his self-torture, the seeking of existence in this paper was used to explain that the texts of self-torture are results of inner conflict between becoming free from guilt and attempting the existence. This writing took a notice that the self-transcendence in Yu Chi-Hwan’s poetry was aimed at becoming the existence through transcending Grenzsituation of the present existence. The existence of Yu Chi-Hwan appeared as one returning back to the purest and true self. Therefore, the direction of the transcendence in Yu Chi-Hwan’s poetry moving toward the most original self had an introversion characteristic. Then Yu Chi-Hwan revealed symbolically the secret code of transcendental being in his poetry. Interpreting these symbols, this paper tried to explain the relation between the self-transcendence and the existence as the return to the self-transcendence and the original self. The aspects of the existence examined in this paper became a basic framework to know his sense and method of the existence. Those aspects examined as the anguish of the present existence and the consciousness of the existence, the seeking of the existence through self-torture, and the return to the self-transcendence and the original self are the results of his continuous searching for ultimate intention point of self existence.

The ecology geomorphology of the mud flat shown up in the Korean modern poem

ChangYoung Jang | 2014, (88) | pp.333~352 | number of Cited : 0

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This research handles the space recognition aspect about the mud flat of the Korean modern poem and unfolding method. So far, in the modern premiere, the discussion on the mud flat was restrictive. It had been being sketchily progressed. If the mud flat sees from the bionomics aspect, it is the very important object. However, the mud flat embraces the blind spot which relatively the discussion was not nearly comprised in comparison with the other natural object. In the eagle, the awareness of the approvals about the mud flat was naturally classified into the view, win-win and healing point of view, and stork about the damage from development point of view and it grasped. As shown in 「aloeswood」 of Seo Jeongju, the harmonization of the subject of nature which the foreshore carries and attribute looks back on the origin of the life to us. In addition, the primitive vitality of the mud flat and restoring force contemplates the meaning which the win-win and healing has for the hard-hearted peoples. As shown in ham minbok and jeon gyang, this energy checks the reason for living a life to us used to the development competition and speed logic with the meaning of the existence. Finally, there is the approval paid attention to the situation progressed in the extreme opposition of the development and maintenance. It which the deep insight gives Bak yeonggeun, Bak namjun, and Bak seongwoo provides the power watching our future in the win-win view of the subject of nature in general. The eagle looking into the aspect of the mud flat shown up in the Korean modern poem can prompt the discussion which is active in the various side abouts the mud flat. It will contribute in extending the vista of the Korean modern poem which the naked bud was put at the blind spot of the discussion about the mud flat so far. Besides, the potential resources which the mud flat carries is utilized and it can link with the spot of education. If the theory and field learning is gone side by side to the students and it links with the environmental education and ecological education, the meaningful effectiveness of education will be able to be expected.

A Study on Relevence and Utterence Aspect of Auxiliary Verb of Mother and Children in Multicultural Families

eun jung park | 2014, (88) | pp.353~378 | number of Cited : 3

Constructing Contents of the Field of Grammar to Enhance Korean Languague Activity Skill

Yang Young Hee | 2014, (88) | pp.379~403 | number of Cited : 0

A Study on Korean Argument Structure to Improve Literacy for Multicultural-family Children

Lee Hyo In , Jo Kyungsun | 2014, (88) | pp.405~434 | number of Cited : 2

KJCKorea
Journal Central

Korean Language & Literature 2023 KCI Impact Factor : 0.63

2014, Vol., No.88