본문 바로가기
  • Home

2017, Vol.63, No.1

Representation of Body and Aesthetic Understanding in Dance -Focusing on the Concept of Goodman’s Symbol and Deleuze’s Sign
Ilhwa Na | 2017, 63(1) | pp.1~17 | number of Cited : 3
Critical Remarks on Phenomenological Approaches to Dance in South Korea
Kim, Hyunjung , Seok Jin Han | 2017, 63(1) | pp.19~34 | number of Cited : 5
A Portrait of Glory or Wounds: Reading Ballerinas’ Autobiographies
Youngjae Roh | 2017, 63(1) | pp.35~52 | number of Cited : 1
Application of Positive Psychology in Dance Education - Focusing on the difference between professional dance education and public dance education -
Park Soo-young , Cho Yun-La | 2017, 63(1) | pp.53~66 | number of Cited : 6
Exploration of Coordination among Admission, Education, Career Development for Sustainment of Dance Department in Korea
Min Hye Shin | 2017, 63(1) | pp.67~85 | number of Cited : 16
Approach to Pina Baush’s Art World through J. Rancière - Focusing on ‘Aesthetic Regime of Arts’ -
Lee Seo Hyeon , MalborgKim | 2017, 63(1) | pp.87~104 | number of Cited : 4
A Study on an Application Plan for Kieran Egan’s Imagination Theory for Dance Creativity Improvement
Cho, Sun-Young | 2017, 63(1) | pp.105~121 | number of Cited : 7
A Study on the Expansion of Expression Range of a Ballet Motion With 3D Projection Mapping Effects
Hong Sangeun , CHOO,SOO-KWANG | 2017, 63(1) | pp.123~133 | number of Cited : 5
Ethnographic Researches on the Art World of Dance
Kim Sue In | 2017, 63(1) | pp.135~138 | number of Cited : 1