2014, Vol., No.67

Journal of Chinese Language and Literature 2023 KCI Impact Factor : 0.28

pISSN : 1225-083X
https://journal.kci.go.kr/clsyn

This paper is intended to reveal Yu xin’s literary style and his literary feature, through the analysis of Yu xin’s poetry on the base of under- standing Du fu’s intention of poetic comment “qing xin yu kai fu”. The clear-fresh style evokes vivid and new impressions by euphonizing lines of verse, and by using a number of expressive techniques in his poetry. The splendid-sensuous style is the output of combination of his clear- fresh style and romantic passion. The mature-with-age style is the result of union between his clear-fresh style and true feelings, like lamentation over the national ruin, anguish of defection and the thinking of fatherland in his later years. Therefore the clear-fresh style is the dominant literary style in his poetry and the core of his literature.

Popular play of Tang(唐) Dynasty, Canjun drama was a comic play performed at the court originated from Actor(優) and Actor Play(優戱). Spirit of satire without upsetting power man was identity of this drama. Maintaining satire part regardless of change in content and formation was crucial. As politics shift as time passes by, however, Role of Actor in Canjun drama faced change as well: the fixed part was added for easier production, content of the play was diversified and more performing techniques were developed. True identity of Canjun drama faded away as it adapts to the new time period. Pungent satire was substituted by dry jokes and other techniques. Singing of actress was added in attempt to bring Canjun drama back, but it ended up merged into other plays in Song(宋) Dynasty. It does not mean Canjun drama didn’t dedicate in the history of Chinese drama. They should not take it for granted of the fact that Canjun drama has become nutritious element of performing arts in Song Dynasty and further periods. The play has carried on the tradition of Actor for a long time. It is evident that Canjun directly influenced Fuijing(副淨) as well as Clown which mainly consists of farces. You could say that humorous effect and satire in every old Chinese drama was anyhow affected by Canjun drama. These two factors were significant in attracting audiences regardless of the genre and the size of drama; small play led by actors and large play led by actresses. As follow, Clown is the preserve of Actor also inherited in tradition of ancient ‘Actor’. It’s unfortunate that Canjun drama could not developed as main frame of spoken parts of small play while large play had song and dance. We blame it for failure in maintaining the identity of Canjun drama.

Some plants in chinese literature are recognized as different plants by koreans. The plant called haedangwha(海棠花) in korean name is different from the plant called haitanghua(海棠花) in chinese name. The haedangwha(海棠花) is Rosa rugosa THUNB, and the haitanghua(海棠花) is Malus spectabilis. The dujuanhua(杜鵑花) in chinese literature is often translated into jindallae(진달래) in Korea. But the dujuanhua and the jindallae are different from each other. The dujuanhua is Rhododendron simsii Planch, and the jindallae is Rhododendron mucronulatum. The chinese plant name of zhizhu(躑躅)’s korean version is cheoljjuk(철쭉). But the plant name of zhizhu and cheoljjuk also are different from each other. The chinese zhizhu is Rhododendron molle (Blume) G. Don, and the korean cheoljjuk is Rhododendron schlippenbachii Maxim. The flower of zhizhu is yellow, and that of cheoljjuk is light pink.