2019, Vol.75, No.3

The Korean Journal of Dance Studies 2023 KCI Impact Factor : 0.93

pISSN : 1226-900X / eISSN : 2713-9468
https://journal.kci.go.kr/krsds

The purpose of the study is to explore the similarities and differences between Kouk Sun Do and Katsugen Undo. The two programs incorporate the 4 following somatic movement characteristics: self-awareness through self-reflection, self-exploration through self-directed process, self-regulative control through self-acceptance, and self-heeling through the embodiment process. Differences are as follows: In Kouk Sun Do, there is a guidance to empty our mind and to practice the exercises. It is aimed to approach to "Right Mind", and is proved to help balancing the sympathetic and parasympathetic in the autonomic nervous system. In Katsugen Undo, there is no guidance, but it suggestst just to follow the voice of one's own body. It is called "Tenshin(Heaven's Mind)" when Katsugen Undo occurs, and its purpose is to order the body by activating the extra pyramidal movement.

The purpose of the study was to offer data that could be helpful for classification of research areas and to suggest a direction of researches in the future based on the analysis on trends of studies on cultural diversity in the dance education field. Therefore, the study collected data after selecting ‘Research in Dance Education’, ‘Journal of Dance Education’ as the objects of the analysis. The results of the study were as follows. First, the flow of cultural policies and changes of cultural ecosystem that had a target of cultural diversity should be accompanied with active involvement and a sensitive approach in the dance education. Second, cultural diversity required an approach expanded from education of cultural diversity leaned towards multi-cultural dance education in the practical aspect. Third, it was required to have an initiative of researches on dance studies diffusing dynamic culture mixing of mutual interaction and a viewpoint of interculturalism from an interdisciplinary perspective such as culture, education, management and policies.

Cabaret led 20th century Dadaism but was recognized as a decadent dance space in Korea. This article aims to trace the process of how cabaret has been recognized as an illegal dance space. Cabaret was a total art space where various media, including dance, singing, poetry, performances, paintings, and plays, co-existed mainly in Germany, Austria, and Switzerland. However it was transformed into Kabakure (キャバクラ) in Japan. In Japan, it became a new entertainment place, not a stage for avant-garde artists. In Korea, it came as the form of entertainment places under the influence of Japan. The pronunciation of cabaret changed to cabaret because of the influence of Japan, and it settled as a dance space for adults over 50. In Korea, while granting many licenses for such entertainment establishments during the military dictatorship, government cracked down these at the same time, pushing them further into the city. Eventually, cabaret became recognized as an illegal, decadent, and weird dance space in Korea.