2016, Vol., No.40

The Volunteer Chinese Teachers take the task of teaching Chinese as a foreign language and spreading Chinese culture. Their job plays an important role. However, because of the lack of teaching skill training and teaching experience, their teaching adaptation problem gradually revealed. Using the methods of questionnaire survey and interview, the thesis takes the volunteers in primary and secondary schools in South Korea as an example, to study the problem of teaching adaptation, including environment of teaching Chinese abroad, Chinese textbooks and other teaching resources, volunteer’s working pressure, influence of personal factors, life adaptation, learning and training before being abroad. Based on analysis of the survey data, we draw the following conclusions: the staffs in Korean Schools are friendly to the volunteer Chinese teachers, and their experience in Chinese teaching and management has a great influence on the work of volunteers. Most of the schools have their own Chinese textbooks, but the Volunteers need to get some teaching materials which are mainly from the internet. Many volunteers have a large amount of work. Some volunteers are not familiar with Chinese teaching situation and the students’ study habits in South Korea, which brings them some difficulties. So many volunteers need more than three months to adapt to their work in Korea. Most of the respondents think that the training and learning before going abroad are necessary, but that aren’t targeted. At last, the thesis gives some suggestions to the administration department of volunteer selection, pre-service training before going abroad, the universities and the volunteers themselves. We hope that these suggestions can not only provide some reference on pre-job training of volunteer Chinese teachers, but also help volunteer Chinese teachers adapt the job of teaching Chinese and culture communication as soon as possible when they go abroad.

A Study on Changes to the TV Advertising Language according to the Increasing Anxiety about Food Safety among Chinese People

Na, Min Gu , Park Yunhee | 2016, (40) | pp.183~216 | number of Cited : 0

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The history and characteristics of Huji Storyteller Festival

HONG CHUL CHUN | 2016, (40) | pp.219~245 | number of Cited : 0

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A Study on the Regional culture of ‘Hu Lan He Zhuan’’s Literary Works - Focused on Regional language and Regional Custom

kim soon gum | 2016, (40) | pp.247~267 | number of Cited : 0

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Xiao Hong is one of the most prominent female writers in the Chinese modern literature. Since young, she had experienced all kinds of hardships in the northern wilderness where northerly wind severly blows. Therefore, the climatic features well match the pitches and tempos of her literary works and clearly characterize the local colors she reflected in her works. That is, she described the transitions of the local colors of her native place in a pure and familiar northern dialect. Every phrase of her works vividly embrace the ideas and lifestyle of the northern residents people. Therefore, Xiao Hong’s works not only draw a keen attention from the novel circle but also contribute a lot to the research of the northern dialects. One of her major works ‘Hu Lan He Zhuan’ depicts the natural characteristics and the natives’ lively life in the northern dialect. Even it seems that she reflected the life consciousness and mental world of the northern people in the literary work. Xiao Hong described the aspects of the small town and the living scenes of the residents in the northern border region. The reason why her novels have become recognized and acknowledged as unique works in the Chinese modern literature is that she described the local characteristics with a plenty of the northern dialects and regional customs. In her ‘Hu Lan He Zhuan’, Xiao Hong intentionally used the norther dialects for words that could have been written in standard language to convey to readers the taste of the northern rural area. Amazement is more magnified for the fact that she died very young, at 31. Since ‘Hu Lan He Zhuan’ is about daily routines the local people did, there is nothing particular to invite readers to fantasy or rapture, but readers love to read and enjoy her works. It is because she has her unique local color in her literary works. In pure and simple northern dialect, she jotted down the happenings of a small village in a good orderly manner and lively depicted messy rural lives. She used a local dialect in her novels neither because we wanted to draw a separating line between regions, or because she wanted to stress a language and custom with a certain ethnic sense. It demonstrates her success in creating simple and lively effect in her sentences by pursuing reality and nature.

A Study of Master Fa Ding’ Buddhist Literature Including a Comparison with Chinese Contemporary Buddhist Literature

任传印 | 2016, (40) | pp.269~287 | number of Cited : 0

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Research the Aesthetics of Violence of Mo Yan “Sandalwood Punishment”

张琴凤 , 冯永霞 | 2016, (40) | pp.289~314 | number of Cited : 0

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The study on Confucius Institutes operating in Korea

YOU,JAE-SUNG | 2016, (40) | pp.317~338 | number of Cited : 2

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The study of Hmong’ marriage culture in the Ming Qing Dynasty

Song, Kyung ae | 2016, (40) | pp.339~360 | number of Cited : 0

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The whole Yun Nan and Zui Zhou region was where Chinese ethnic minorities have been distributed over a wide area from the past and where various ethnic groups as Miao zu, Dong zu, Yi zu, Shui zu, and Bu Yi zu have resided in. Specially, Miao zu is the ethic group with the greatest number of population followed by Han zu, Zang zu, Manchu zu, and Hui zu among minorities in China, and they have maintained their own unique culture and tradition while residing in this region for a long time. The culture and custom of marriage of Miao zu in Ming,Qing dynasty are well explained in literatures as di fang zhi and chen ding 「dian qian tu si hun li ji」, 「dian qian ji you」, fang ting xian 「miao su ji wen」, tian min 『qian shu』, and li zong fang 『qian ji』. Traces of prehistoric culture of the matrilineal clan society are still remained in the marriage custom of Miao zu. Customs as tiao yue and ma lang fang are representing the free and open dating style and marriage culture of Miao zu of the time well. Also, it was identified that customs that have been implemented in matrilineal clan society are still remained through the bioa qin hun system of marrying children of sister and brother together and custom of zuo jia of living in married woman’s parents home before giving childbirth after marriage. However, women could not be completely free from cultural influence of the Feudal yegyo of Han Chinese in Miao zu society during the MingQuing dynasty. The Feudal yegyo ideology of Han Chinese that emphasized authority of men and considered women as belonging of men is manifested in marriage culture of the upper class of Miao zu society. The Deungcheop system of having and getting married with a concubine, the liu yi conducted in wedding ceremony, and various kinds of norms required by women after marriage are similar to the contents that have been carried out by the Han Chinese Confucian culture. Even though Mio zu was relatively less affected by the feudal Confucianism culture compare to other ethnic minorities because the residential area of Mio zu at the time was located in deteriorated and remote area, but Confucianism culture was widely disseminated already in marriage custom and system of the upper class of Mio zu.

The contemporary interpretation of Junzi thought In the Analects of Confucius

韩清玉 , lee seung hee | 2016, (40) | pp.361~374 | number of Cited : 0

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The Deities Driving Away the Evil Spirits - The Nuo Deities in the Nuo Dance in the Leizhou City Area

朱天舒 | 2016, (40) | pp.375~405 | number of Cited : 0

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KJCKorea
Journal Central

The Journal of Study on Language and Culture of Korea and China 2023 KCI Impact Factor : 0.38

2016, Vol., No.40