As a subtitle of the moment, the poem refers to the death of poetic material, and a monument to mourn the subject of death. Mansi is created in a special situation called Death. Thus, depending on the perception of death and personal perception of death, each piece bears the same resemblance and difference.
The similarity of the work has accumulated the distinction of genre, and the differentiation has given Mansi the value of Mansi to literary work and art. Maecheon is a figure of considerable achievement in Mansi. Therefore, the study of his Mansi will be the culmination of his Mansi's final appearance and the implications of broadening the perception of Maecheon literature.
In particular, it would be a significant task to clarify what Maecheon Mansi's artistic merit is to characterize Maecheon Mansi's works. This is because it is not a problem confined to a person's genius, but also a matter of soil that could bring about such a literary accomplishment. This will create a basis for identifying the unique literary achievements of Mansi and identifying awareness of the 'Death of the Past' by Mansi.
Mansi wrote about death and wrote about death. Thus, it would be logical for the expression of emotion to be aroused. Therefore, it is difficult to easily accept the fact that it is possible to interdigitate someone close to the close of the family and internalize them. For this reason, in Mansi, the emotional situation often occurs in Mansi.
Maecheon Mansi has many paintings that materialize death by internalizing these emotions. Death in Maecheon Mansi is different from the ritual of the dead. The end of the process appears to be the objective of the death, death, death, but the process. Among Sagongdo`s Yisipsasipoom, the evaluation of serenity is the hallmark of Maecheon`s Mansi.
Unlike Mansi, Maecheon was able to capture a piece of work through objectivization and objectification. This is the beauty of Maecheon Mansi.
Among Sagongdo`s Yisipsasipoom, the best possible candidate for Mansi would be Bigae. Mansi will sing of his death, understandably weeping and wailing. However, it is true that Mansi's formal nature and idiom made it difficult to find a non-market sentiment at bay. Nevertheless, the great grief is well accommodated in Maecheon's Mansi.
Mansei's Mansei writes lament the sorrow and grief of the deceased. In Bigae, sadness must be the most extreme. When sorrow dies away, only a ritual remains. Mansi also suffered most of her sorrow, which is a poet who exemplified him well. Therefore, Mansei's beauty resides in Bigae. Maecheon took his own beauty and captured his own beauty in the writing of Mansi and Bigae.