2020, Vol.80, No.4

The Korean Journal of Dance Studies 2023 KCI Impact Factor : 0.93

pISSN : 1226-900X / eISSN : 2713-9468
https://journal.kci.go.kr/krsds

The conditions for a good dance performance are determined by whether there are expansion and invigoration of discussions about it rather than by whether increasing number of spectators see it. Therefore, the conclusion of this study is as follows. In some cases, the performance for a very small number of audience is unneglectable, which results in highly artistic achievement through the spread of various evaluations and discussions. For this, it needs to be revitalized and reproduced through the establishment of basic infrastructure, personnel allocation, structural construction, active on-line reproduction as dance film, and some cases conceptual dance. While discussing the possibility of artistic achievement of untact art, I propose a performance that saves what is discarded by being consumed less and an environmentally friendly conceptual dance. Finally it is necessary recognize the strengths and weaknesses of online streaming services as regularized untact cases with the possibilities of dance film. Through, it is possible to continue, seek, share, and create new dance art amid the pandemic disaster.

Since the mid-2010s, the Korean government and public institutions have supported living lab projects for local and urban regeneration, and social interests in the living labs have been rapidly increased. This study aims to explore possibilities of living lab in university dance education. Previous studies of living lab tend to involve case studies and future directions of living lab in the field of health, medicine, welfare, architecture, housing, and university system. This study discusses the concepts, characteristics, and issues of living lab in culture and arts, and then causes of low participation of dance world in living lab, and possible cases in dance living lab, drawing on literature reviews, analysis of websites, and interviews. This study provides ways to increase artistic, social, and economic values of dance and interact actively with contemporary society in the 21th century.

The purpose of the study is to present the analytical terms for describing the movement of Ki flow through facilitation of LMA. The methodology for this study is to review the related literatures and to discuss Ki flow with two CMAs(Certified Movement Analysts) for verifying the analyses of the Ki flow movement. The movements of Ki flow indicate the specific patterns in ‘shape-flow’ and ‘shaping’ according to the seven emotional orientations. The seven emotional orientations are as follows: Anger, Joy, Thought(Anxiety), Worry, Grief, Shock, and Fear. ‘Directional’ is inherent in all the movements of Ki flow. Therefore, the movement of Ki flow can be shape by ‘Shape-Flow’, ‘Shaping’ and ‘Directional’.