2007, Vol.21, No.21

The Korean Journal of Dance Studies 2023 KCI Impact Factor : 0.93

pISSN : 1226-900X / eISSN : 2713-9468
https://journal.kci.go.kr/krsds

The aim of this work to analyze the relationship between physical self-perception and self-efficacy of college woman major in dance who consist of korea dance 111, modern dance 102, and ballet 103. ANOVA was used to get the relationship between physical self-perception and self-efficacy with relation to major of college woman major in dance, and regression analysis was measured for how physical self-perception has an effect on self-efficacy, and canonical correlation analysis was find inter factor relationship.The results showed that there is difference in physical self-perception and self-efficacy by major. In major, korea dance major were on a higher scale in self-expressive confidence, with dance competence, physical condition and attractive body.Perceived physical ability factor has significantly influences dance competence, physical condition, attractive body, physical strength and self-expressive confidence factor has significantly physical condition, attractive body, physical strength. In conclusion, the higher physical self-perception has positive influenced on self-efficacy of college woman major in dance.This work was based on the previous studies related to physical self-perception and self-efficacy.

The purpose of this study was to investigate the effects of dance and estrogen treatment on bone density and blood osteocalcin concentration of postmenopausal women. Subjects for study were 21 postmenopausal women who were divided into 3 groups(control, dance, and dance+estrogen). For 12week, social dance intensity has during 50min and estrogen treatment. In the bone density of FN(femur neck) was significantly difference among groups(p<.05). Blood osteocalcin concentration was significantly difference among groups(p<.05). In conclusion, this study that continuous regular 12 week social dance and estrogen treatment may be beneficial to bone density of postmenopausal women

This research provides a view that the starting point of Dance Criticism in Korea dates back to 1945. As Journalism developed in a short time 1990s dance criticism was also formed active in various magazines.This research began with the objective of investigating the form of publications of Korean dance critique, ranging from the type of publications, the frequency, the structure, and its content. The role, value and drawbacks of Korean dance critique have been pointed out from researching the dance reviews reported in the culture section of daily publications and monthly dance journals pertaining to the year 2003.On the other hand, there is a need to accentuate the fact securing the critic independent social status would serve as the fast track toward active critiques. The financial independence of critics may be guaranteed by the publication enterprises, however this is somewhat impossible in a realistic sense. Rational institutional measures should be provided to accommodate capable critiques; however, it is regretful to acknowledge the current status of our culture has not yet reached that level.