2021, Vol., No.37

This paper analyzes the fairness of setting CEO's compensation from the perspective of 'Compensation in Justice' and tries to find the philosophical justification for the Minimum Effective Compensation (MEC). I begin with the concept of ‘fair reward’. That is, a company must pay wages in return for providing workers' labor, and the wages are set based on a fair criteria, and it requires that all stakeholders not be treated in a discriminatory way. For this, the three criteria for paychecks and its justification will be analyzed first from the point of view of Justice in Compensation. Second, it will be argued that the excessive compensation currently paid to CEOs cannot be justified by any of the above three criteria. Lastly, as a way to solve this problem, I would like to discuss the MEC that the CEO and directors, who are the main agents of a negotiation, should have. The MEC refers to the minimum wage needed to recruit and retain the most suitable CEO and to motivate that person to do his/her best. Proposing and accepting this is the fiduciary duty of distributing corporate profits and stakeholders, and it will be argued that this is the most appropriate compensatory definition for a market economy. Through the discussion of this compensation in justice, I expect that the social role of companies will be reconsidered and fairness in setting permissible wages for not only CEOs but also general workers will be accepted. This is because the distribution of economic resources through fair paychecks is not secondary to the national economy and corporate growth, but is the purpose of their existence. Moreover, wages should not be regarded as mere wages since workers provide for and receive work for the firm. This is because the wage plays a normative role that should be treated as a right to fulfill the expectations of one's own and family's livelihood and life, and to be faithful to the given task.

Critical studies and proposals on the current movements of P4C across the world

Park, Hyunjoo | 2021, (37) | pp.196~230 | number of Cited : 1

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The Politics of Mobilization through Daejeon Expo

Jeong Choongsil | 2021, (37) | pp.231~252 | number of Cited : 3

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Hole and Chaos -Focused on Snake Myths of Jeju Island, Korea and Okinawa, Japan-

Lee,Seog-Ju , Yeongjoo Kim | 2021, (37) | pp.253~286 | number of Cited : 0

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A Study on the Spatial Characteristics and Utilization of Gonggan Sarang as a Small Theater

Kim Taehee | 2021, (37) | pp.287~309 | number of Cited : 2

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A Case Study for Urban Archive to Revitalize Humanities

Kim, hyung joon | 2021, (37) | pp.310~331 | number of Cited : 4

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Kim Woo-jin as the Archetype for Cultral Contents -Focus on Praise of Death Contents-

Soyoung Bak | 2021, (37) | pp.332~355 | number of Cited : 1

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The present study analyzed how the writer Kim Woo-jin is being utilized as cultural content through his work Praise of Death, which was created with various contents. From written work to play, film and TV series, Kim Woo Jin’s Praise of Death was produced in various forms of cultural content. This was not simply due to the literary achievements held by the writer that is Kim Woo-jin but there was a lot of curiosity and creativity regarding the relationship he had with Yun Sim-deok, who he committed suicide with. The original story for creating the contents is the gossip regarding Yun Sim-deok and the records left by Kim Woo-jin. Hence, the affair between the two was received like an actual story as Kim Woo-jin’s records and the gossip regarding Yun Sim-deok were combined. The contents that were created at the time were based on Kim Woo-jin’s journal and records as well as Yun Sim-deok’s rumors to create a story. Kim Woo-jin was the son of a rich family in the Mokpo region as well as a genius writer of Joseon and is portrayed as the charming traditional male lead that can be seen in melodramas, who had conflicts with their father. Moreover, Yun Sim-deok was a confident modern woman and Joseon’s first ever soprano but suffers due to rumors. The two people recognize each other’s artistic talents and encouraged artistic activities to be portrayed as true lovers but due to this, his father and Jung Jum-hyo, who was married early on to Kim Woo-jin, become the antagonist. In such ways, Kim Woo-jin is a charming character content who allows the audience to imagine Joseon in different layers by showing both the literary world and the theatrical world of the colonial Joseon while showing the student studying abroad in Tokyo and the artist of Gyeongseong and also, creating a love triangle with a traditional woman and a modern woman.

The relationship between the production date of lending library <Hong Gildong-jeon> and Gyeongpan edition

Gwang-Su Yu | 2021, (37) | pp.356~381 | number of Cited : 3

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A study on the current status and meaning of Old Documents owned by the The Museum of Korean Modern Literature -Focusing on the Korean classical novels(Gososeol)-

Yoo ,Choon Dong | 2021, (37) | pp.382~394 | number of Cited : 1

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Metamorphosis in Classical Narratives: Classification and Meaning

Lee, Kangyeop | 2021, (37) | pp.395~423 | number of Cited : 1

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This thesis classifies the metamorphoses in classical narratives and explores their meanings in the perspective of desire and unification. First, this thesis examines both desire and the matter of unification as a perspective on the metamorphosis. The transfiguration was classified into three types by considering if the consequence is unification when two different worlds converge, the persistence of their transformations, and the realization degree of the subject’s desire. The first is the unification type that the subject follows the ultimate desire and unifies two different worlds. The second is the competition type that the subject takes a temporary transformation as a way to fulfill the desire and comes back to the original shape. And lastly, the third is the frustration type that the subject takes the transformation without fulfilling the desire and keeps the transformed body with failure and despair. Second, the thesis examines the features of each type. First of all, the unification type that the subject accomplishes the unification of two worlds and perpetuate the transformed status could have an amicable mutual relationship between two worlds in the way of their unification while some subjects become fixed into one world in making the amicable mutual relationship or other subjects unifies two worlds with only granting the being of one world the transformation initiative. Second, the exhibition type is diverse from the pieces that the subject does not show any changes in quality before and after the transformation to the pieces that the subject shows a big difference. Lastly, the frustration type varies according to the accomplishment of desire after the frustration. Third, instead of examining the processes or results of the transformation on the surface, this thesis explores the deeper meanings of metamorphoses in classical narratives.

A Linguistic and Cultural Study of Daily Greetings in Korea and China

Li, Nan , Han, Yong Su | 2021, (37) | pp.424~441 | number of Cited : 0

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Chinese Color Word Usage and Semantic Analysis Related to Women’s Makeup

LEE, MYUNG A | 2021, (37) | pp.442~458 | number of Cited : 0

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A Study of Chinese Double Reduction Policy and Education Culture -Focused on the Public Online Education Platform-

Lee, Seo-yi , Han, Yong Su | 2021, (37) | pp.459~477 | number of Cited : 8

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A Study on Creative Writing Education Methods using Local Historical and Cultural Resources

Jung, Du Ho , Kwon Taehyun | 2021, (37) | pp.478~500 | number of Cited : 2

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A study of Archaic Chinese Footwear Nouns And culture

Wang, Rui , Han, Yong Su | 2021, (37) | pp.501~525 | number of Cited : 2

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KJCKorea
Journal Central

PHILOSOPHY·THOUGHT·CULTURE 2023 KCI Impact Factor : 0.5

2021, Vol., No.37