[web]
김혜리
/ 2003
/ 타이틀 시퀀스의 세계
/ 씨네21
[web]
곽서연
/ 2019
/ 2019년 한국영화산업 결산보고서
/ 영화진흥위원회
[web]
위재천
/ 2015
/ 한국영화 오프닝 크레딧에만 있다
/ KBS 뉴스
[web]
이해리
/ 2019
/ 한국영화 100년, 최고의 작품 ‘쉬리’
/ 동아일보
[web]
조재영
/ 2017
/ 영화 ‘군함도’ 오프닝 크레디트, 눈길을 끄는 이유
/ 연합뉴스
[journal]
Alan Brookey, Robert
/ 2002
/ Hiding Homoeroticism in Plain View: The Fight Club DVD as Digital Closet’
/ Critical Studies in Media Communication
19(1)
: 21~43
[book]
Batchelor, Kathryn
/ 2018
/ Translation and Paratext
/ Routledge
[journal]
Bernabo, Laurena E
/ 2017
/ Glee-talia: Adapting Glee for an Italian Audience
/ Critical Studies in Media Communication
34(2)
: 168~176
[journal]
Birke, Dorothee
/ 2013
/ Paratext and Digitized Narrative: Mapping the Field
/ Narrative
21(1)
: 65~87
[book]
Boni, Marta
/ 2016
/ The Politics of Ephemeral Digital Media
/ Routledge
: 223~237
[journal]
Brookey, Robert
/ 2017
/ Not Merely Para”: Continuing Steps in Paratextual Research
/ Critical Studies in Media Communication
34(2)
: 101~110
[book]
Bucaria, Chiara
/ 2014
/ Media and Translation: An Interdisciplinary Approach
/ Bloomsbury Academic
: 293~314
[book]
Cintas, Jorge Díaz
/ 2008
/ The didactics of audiovisual translation
/ John Benjamins
: 89~103
[book]
Consalvo, Mia
/ 2007
/ Cheating: Gaining Advantage in Videogames
/ MIT Press
[journal]
Consalvo, Mia
/ 2017
/ When Paratexts Become Texts: De-centering the Game-As-Text
/ Critical Studies in Media Communication
34(2)
: 177~183
[book]
Dunne, Daniel J
/ 2016
/ Contemporary Research on Intertextuality in Video Games
/ IGI Global
: 274~296
[web]
Epstein, Adam
/ 2020
/ Thanks to Parasite, We Know What It Takes for Americans to See an International Film in Theaters
/ Quartz
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Gaudreault, André
/ 2013
/ Titles, Subtitles, and Intertitles: Factors of Autonomy, Factors of Concatenation
/ Film History: An International Journal
25(1-2)
: 81~94
[book]
Genette, Gérad
/ 1997
/ Paratexts: Thresholds of Interpretation
/ Cambridge UP
[journal]
Gray, Jonathan
/ 2008
/ Television Pre-views and the Meaning of Hype
/ International Journal of Cultural Studies
11(1)
: 33~49
[book]
Gray, Jonathan
/ 2010
/ Show Sold Separately: Promos, Spoilers, and Other Media Paratexts
/ NYUP
[book]
Gray, Jonathan
/ 2015
/ Popular Media Cultures: Fans, Audiences and Paratexts
/ Palgrave Macmillan
: 230~237
[book]
Gray, Jonathan
/ 2019
/ Television Studies, second edition
/ Cambridge
[book]
Hill, Heather L
/ 2014
/ Examining paratextual theory and its applications in digital culture
/ IGI Global
: 143~158
[journal]
Hills, Matt
/ 2017
/ Fandom’s Paratextual Memory: Remembering, Reconstructing, and Repatriating “Lost” Doctor Who
/ Critical Studies in Media Communication
34(2)
: 158~167
[journal]
Johnson, Derek
/ 2017
/ Activating Activism: Facebook Trending Topics, Media Franchises, and Industry Disruption
/ Critical Studies in Media Communication
34(2)
: 148~157
[journal]
Klecker, Cornelia
/ 2015
/ The Other Kind of Film Frames: A Research Report on Paratexts in Film
/ Word & Image
31(4)
: 402~413
[journal]
Matamala, Anna
/ 2011
/ Dealing with Paratextual Elements in Dubbing: A Pioneering Perspective from Catalonia
/ Meta
56(4)
: 915~927
[journal]
McCracken, Ellen
/ 2013
/ Expanding Genette's Epitext/Peritext Model for Transitional Electronic Literature: Centrifugal and Centripetal Vectors on Kindles and iPad
/ Narrative
21(1)
: 105~124
[book]
Mittell, Jason
/ 2015
/ Complex TV: The Poetics of Contemporary Television Storytelling
/ NYUP
[book]
Nottingham-Martin, Amy
/ 2015
/ Examining paratextual theory and its applications in digital culture
/ IGI Global
: 287~312
[book]
O’Sullivan, Carol
/ 2018
/ Linguistic and Cultural Representation in Audiovisual Translation
/ Routledge
: 265~279
[journal]
Picarelli, Enrica
/ 2013
/ Aspirational Paratexts: The Case of ‘Quality Openers’ in TV Promotion
/ Frames Cinema Journal
3
: 1~25
[book]
Rockenberger, Annika
/ 2015
/ Examining paratextual theory and its applications in digital culture
/ IGI Global
: 49~82
[journal]
Stanitzek, Georg
/ 2005
/ Texts and Paratexts in Media
/ Critical Inquiry
32(1)
: 27~42
[journal]
Stanitzek, Georg
/ 2009
/ Reading the Title Sequence (Vorspann, Générique)
/ Cinema Journal
48(4)
: 44~58
[book]
Stam, Robert
/ 1992
/ Reflexivity in Film and Literature: from Don Quixote to Jean-Luc Godard
/ Columbia UP
[journal]
Stewart, Gavin
/ 2010
/ The Paratexts of Inanimate Alice: Thresholds, Genre Expectations and Status
/ Convergence
16(1)
: 57~74
[journal]
Wildman, Steven
/ 1994
/ One-way Flows and the Economics of Audiencemaking
/ Audiencemaking: How the media create the audience
22
: 115~141
[book]
Yoo, Steven
/ 2011
/ Predicting Movie Revenue from IMDb Data
/ Stanford UP