2019, Vol.73, No.1

The Korean Journal of Dance Studies 2023 KCI Impact Factor : 0.93

pISSN : 1226-900X / eISSN : 2713-9468
https://journal.kci.go.kr/krsds

This paper studies the sublime represented in Jakbeopmu(Buddhist ritual dance) based on the aesthetic theory of Immanuel Kant. Sublime is that human beings are aware of ideologies beyond their limits, and feel emotions elevated through that. Jakbeopmu represents the ideology of Buddhism through artistic symbols. Jakbeopmu express the fact that the reality of existence is empty by making the form of motion unperceptible. Through the repetition with variation, it moves one representation to another, showing that the world is made by the causality. Through these representations, the mind is awakened, and a great emotion is felt. In this respect, the aesthetic experience of Jakbeopmu can be interpreted as sublime.

The purpose of the study is to suggest a specific solution to the spine illness like flat back and scoliosis which is common to ballet dancers unlike the other genres of dance. The findings of the study were as follows; First, the ballet dancers’ illness and their pain, who have spine illness including cervical, thoracic and lumbar vertebra, are getting better with 10 times ‘S·I Program’. Second, their understanding about their bodies and their body-awareness were upgraded. This study showed that the re-education of movement could evoke change to ballet dancers by combination of structures and functions. It could be considered natural that experimentees got better spine condition, during ‘S·I Program’ was progressed. However, the most important point that should be recognized was that the experimentees made efforts to widen their changed understanding their bodies from just experiments to daily life. This awakening opened the possibility of changing correcting posture.

The purpose of this study was to investigate the relationship between failure tolerance, which was a substitution concept of failure experienced in dance performance, and dance flow, which was the standard of successful dance. Nine hundred and seventy two high school students specializing in dance and college students majoring in dance. The results were obtained through data analysis procedure. First, in verifying the difference between failure tolerance and dance flow according to the grade, the failure tolerance of college students was high and high school students’ dance flow was high. Also, multiple regression analysis of dance tolerance and dance flow showed that failure tolerance promotes dance flow. Therefore, these results were discussed based on previous studies and dance sites.